For whatever reason, Pretty Things failed to make significant inroads in the U.S. when the window of opportunity was open widest. Perhaps the Rolling Stones, the Who, and the Animals more than fulfilled the quota for invading bad boys. Maybe their sophomoric (and less than artistic) obsession with drugs played a role, though that's doubtful, given the preponderance of mind-altering substance cheerleading by '60s bands. Like the Stones, Pretty Things incorporated garage, R&B, and psychedelia into their aggressive style of rock & roll…
Where Dylan's first Greatest Hits took its title literally, Greatest Hits, Vol. 2 is a greatest-hits album only in the loosest sense of the term…
Greatest Hits is a lean yet complete overview of Tom Petty & the Heartbreakers' biggest singles from their first prime. Sure, it's possible to pinpoint a few great songs missing, but the group had a lot of great songs during the late '70s and '80s…
Rejecting the abrasive guitars of their punk-era contemporaries in favor of lushly romantic synthesizers, Ultravox emerged as one of the primary influences on the British electro-pop movement of the early '80s. Formed in London in 1974, the group – originally dubbed Ultravox! – was led by vocalist and keyboardist John Foxx (born Dennis Leigh), whose interest in synths and cutting-edge technology began during his school years…
Phillip David Charles Collins. British rock / pop musician, songwriter and actor, born 30 January 1951 in Chiswick, London, England, UK. Inducted into Songwriters Hall of Fame in 2003. Best known as a member of Genesis, whom he joined in 1970 as a drummer, then becoming the lead vocalist in 1975 after the departure of Peter Gabriel…
Some of the advantages that 2004's Greatest Hits has over 1995's The Best of Alexander O'Neal are apparent from the quickest of glances. The most obvious difference is the quantity of songs: while The Best of Alexander O'Neal functioned as a suitable introduction covering the singer's first three albums, this disc features five more sensibly picked cuts. The most important inclusion here, beyond all the essential chart hits ("If You Were Here Tonight," "Criticize," "Fake," "Never Knew Love Like This," "All True Man," "What Is This Thing Called Love?"), is "Saturday Love," the magnificent 1986 single previously bound to duet partner Cherrelle's catalog. Alexander O'Neal (1985), Hearsay (1986), and All True Man (1991) are all worth owning, but this compilation will do for those on a budget.
It's a little surprising to consider that Julio Iglesias didn't have a comprehensive hits collection until My Life: The Greatest Hits was released in the fall of 1998, but the result was so strong that it made the wait worthwhile. Featuring no less than 37 songs over the course of two CDs, My Life has all of his biggest hits, most popular duets, and fan favorites, including "To All the Girls I've Loved Before," "All of You," "My Love," and "Summer Wind," a duet with Frank Sinatra. With only a couple of exceptions, the first disc is devoted to English-language hits, the second entirely to Latin hits. For some listeners, it may be too much material to digest, especially in one sitting, but there's little question that this is the definitive Julio Iglesias compilation.
Even more remarkable than the number of different Queen collections with nearly identical track listings and artwork which are available is the fact that every one of them is pretty much beyond reproach – such is the quality of the band's magnificent legacy…