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The fourth album by this Brooklyn-based collective builds on their strengths in a program that ranges across jazz, improv, and contemporary classical/new music, with a passing nod to the traditions of eastern Europe. As composers, Black, Speed and D’Angelo provide different frameworks for the band’s characteristic, often tensile explorations, heard as well in their atmospheric rendition of the Billie Holiday standard “Left Alone” where they’re joined by vocalist Holly Palmer.

“It Takes All Kinds To Make A World” (11th Nov, April Records) pairs critically acclaimed saxophonist and composer Frederik Lundin with the forward-thinking Odense Jazz Orchestra in an original set of intricately composed music which bridges the gap between avant-garde emotion and heavy groove.

Vanessa continues Debussy’s world, which represents the past and the future in my artistic path, having already recorded a first Album of Debussy’s music in 2018 celebrating his 100th anniversary of death and issuing a new album of his Second book of Preludes,

"He is extremely sensitive and open to every aspect of music, together with a very solid technical preparation. With his inborn musicality he should be quite capable to make his life a very excellent and important musical life." (Jörg Demus)

Tribute to the Lady is the third studio album by American singer-songwriter Sam Cooke, released in 1959.

Love to the World is the third studio album by Los Angeles, California -based band, L.T.D., released in 1976 on the A&M label. The album peaked at No. 7 on the R&B albums chart. It also reached No. 52 on the Billboard 200. The album features the singles "Love Ballad", which peaked at No. 1 on the Hot Soul Singles chart and No. 20 on the Hot Soul Singles chart, and the title track, which charted at No. 27 on the Hot Soul Singles chart and No. 91 on the Billboard Hot 100.

Nakamichi is active as a solo recital performer, and also appears frequently in chamber music and concerto concerts, earning high acclaim for her musicality.

Fresko aus Vogelgesang und Orgelregistern: Pianist Bertrand Chamayou spielt Messiaens Vingt Regards ein „Es ist wie ein gigantisches Fresko, eine Art Odyssee. Wie ich finde, umfasst das Werk – mehr noch als irgendein anderes von ihm – den unermesslichen Reichtum seiner musikalischen Sprache“, beschreibt Bertrand Chamayou das Klavierwerk Vingt Regards sur lʼEnfant-Jésus von Olivier Messiaen. Der Pianist ehrt die Komposition dieses französischen Klangmystikers nun, indem er sie ins Zentrum seines neuen Albums stellt, umrahmt von musikalischen Hommagen anderer Komponisten, darunter Tombeau de Messiaen von Jonathan Harvey und das doppelbödig kristallreine Cloches d’adieu, et un sourire… in memoriam Olivier Messiaen von Tristan Murail.

The sophomore album from Early James, Strange Time To Be Alive is the sound of an artist sublimely out of step with the world. With all the charmed eccentricity of a true poet, the Alabama-bred singer/songwriter takes in the endless absurdity he sees around him, then alchemizes his unease into a glorious patchwork of musical idioms: forsaken blues and contemplative folk songs, brooding murder ballads and lovestruck piano tunes.