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Vingt regards sur l'enfant-Jésus ("Twenty visions of the infant Jesus") is a suite of 20 pieces for solo piano by the French composer Olivier Messiaen (1908–1992).

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With two successful albums and a sold-out world tour behind them, Paris-based L'Impératrice have evolved from an instrumental group founded by music critic Charles de Boisseguin into a six-piece powerhouse whose blend of funk and French touch, disco and deep house also includes the enchanting voice of singer Flore Benguigui.

Nakamichi is active as a solo recital performer, and also appears frequently in chamber music and concerto concerts, earning high acclaim for her musicality.

L'homme arme is a musical journey into the music of the Court of Burgundy in the 15th century.

Vanessa continues Debussy’s world, which represents the past and the future in my artistic path, having already recorded a first Album of Debussy’s music in 2018 celebrating his 100th anniversary of death and issuing a new album of his Second book of Preludes,

Fresko aus Vogelgesang und Orgelregistern: Pianist Bertrand Chamayou spielt Messiaens Vingt Regards ein „Es ist wie ein gigantisches Fresko, eine Art Odyssee. Wie ich finde, umfasst das Werk – mehr noch als irgendein anderes von ihm – den unermesslichen Reichtum seiner musikalischen Sprache“, beschreibt Bertrand Chamayou das Klavierwerk Vingt Regards sur lʼEnfant-Jésus von Olivier Messiaen. Der Pianist ehrt die Komposition dieses französischen Klangmystikers nun, indem er sie ins Zentrum seines neuen Albums stellt, umrahmt von musikalischen Hommagen anderer Komponisten, darunter Tombeau de Messiaen von Jonathan Harvey und das doppelbödig kristallreine Cloches d’adieu, et un sourire… in memoriam Olivier Messiaen von Tristan Murail.

Haymarket Opera, Chicago’s premier early opera company that presents historically informed performances played on 18th-century classical era instruments, performs on this world-premiere recording of L’Amant Anonyme (The Anonymous Lover) by Joseph Bologne, Chevalier de Saint-Georges (1745–1799).

New recordings of large-scale but little-known works by one of Beethoven’s most influential students.

Love to the World is the third studio album by Los Angeles, California -based band, L.T.D., released in 1976 on the A&M label. The album peaked at No. 7 on the R&B albums chart. It also reached No. 52 on the Billboard 200. The album features the singles "Love Ballad", which peaked at No. 1 on the Hot Soul Singles chart and No. 20 on the Hot Soul Singles chart, and the title track, which charted at No. 27 on the Hot Soul Singles chart and No. 91 on the Billboard Hot 100.