Tobias Henz, Gerald Langhanke

Pfade durch die Theoretische Mechanik 1: Die Newtonsche Mechanik und ihre mathematischen Grundlagen (repost)

Tobias Henz, "Pfade durch die Theoretische Mechanik 1: Die Newtonsche Mechanik und ihre mathematischen Grundlagen: anschaulich - axiomatisch - abstrakt"
2016 | Deutsch| ISBN-10: 3662482630 | 276 pages | PDF | 4 MB
Jordi Savall - Tobias Hume: Musicall Humors, London 1605 (2004)

Jordi Savall - Tobias Hume: Musicall Humors, London 1605 (2004)
EAC | FLAC | Image (Cue & Log) ~ 472 Mb | Total time: 69:54 | Scans included
Classical | Label: Alia Vox ‎‎| AV9837 | Recorded: 2004

Tobias Hume (c.1570-1645) was a professional soldier and a ‘gentleman’ (read amateur) composer, and virtuoso of the bass viol. His Musicall Humors (1605), a large collection of solo pieces, is the first publication devoted to the lyra viol, a style of playing that treated the instrument polyphonically, like a lute. Hume reveals himself as a distinct, even eccentric, personality, and an inventive composer, expanding the viol’s normal range with such unusual devices as col legno (‘Drum this with the backe of your Bow’). Jordi Savall’s cultivated, elegant style is very appropriate for much of the music; occasionally he adopts a more earthy manner to great effect – for example in A Souldiers Resolution, with its trumpet and drum imitations.
Tobias Lindstad Collective - Kismet (2022)
FLAC (tracks) 24-bit/96 kHz | Time - 35:11 minutes | 642 MB
Studio Master, Official Digital Download | Artwork: Front cover

There seem to be few subjects that do not interest my friend Tobias Lindstad. He is well-versed in literature, art, and philosophy, he throws himself into debates with an open mind and has kept his fascination for the mysteries of the universe. Above all, he displays a nearly all-encompassing appetite for good music in the most diverse genres. He never stops finding inspiration in classical and modern chamber music, in cool jazz and free-form improvisation, in avantgarde rock, in folk music, and in subtle pop melodies; really, he finds inspiration in all kinds of beautiful, strange, challenging and/or alluring music.

Tobias Meinhart - Berlin People (2019)  Music

Posted by Domestos at July 8, 2020
Tobias Meinhart - Berlin People (2019)

Tobias Meinhart - Berlin People (2019)
EAC Rip | FLAC (tracks+.cue, log) ~ 375.21 Mb | 01:02:16 | Covers
Post-Bop, Contemporary Jazz | Country: USA | Label: Sunnyside Communications - SSC 1541

The dream of many international jazz musicians is to experience the jazz life of New York City. Saxophonist Tobias Meinhart had the same dream and made a move to the City from his native Germany a decade ago. Having lived in New York for ten years, he came to the realization that a young man from Bavaria can never be from Harlem and that his German roots are central to his musical identity.

Tobias Meinhart - The Painter (2021)  Music

Posted by Domestos at Aug. 7, 2021
Tobias Meinhart - The Painter (2021)

Tobias Meinhart - The Painter (2021)
WEB FLAC (tracks) ~ 339.76 Mb | MP3 CBR 320kbps ~ 147.02 Mb | 01:03:29 | Cover
Contemporary Jazz, Post-Bop | Country: Germany | Label: Sunnyside

The creation of music shares much in common with creation in the visual arts. Both musicians and visual artists speak of and deal in colors, hues and textures in their compositional processes. Saxophonist/composer Tobias Meinhart has developed near synesthetic visualizations as he performs and hears music. His new recording, The Painter, presents his recent work of diverse, brilliant pieces meant to brighten the world’s canvas.

Gerald Albright - The Very Best Of Gerald Albright (2001)  Music

Posted by Designol at April 22, 2022
Gerald Albright - The Very Best Of Gerald Albright (2001)

Gerald Albright - The Very Best Of Gerald Albright (2001)
EAC | FLAC | Tracks (Cue&Log) ~ 456 Mb | Mp3 (CBR320) ~ 157 Mb | Scans included
Smooth Jazz, Crossover Jazz, R&B | Label: Atlantic | # 83460-2 | Time: 01:04:44

The first five chronologically sequenced tracks of this compilation mirror the rise of the smooth-jazz radio phenomenon. "So Amazing," "Bermuda Nights," "In the Mood," "My, My, My," and "Anniversary" are all still staples of the format. Released between 1987 and 1990, all (except the second one) are covers of popular R&B tunes, and they still sound fresh. These songs alone make this an excellent collection for smooth-jazz fans. Starting with his fifth album, Live at Birdland West, the exciting tenor saxophonist became a little more adventurous, often completely crossing that broad line that separates smooth jazz from contemporary electric jazz. Two duets–one with Lee Ritenour, "G & Lee," and "Boss of Nova," with Joe Sample–are two examples of his playing that sets Albright apart from most saxophonists who are tagged with the smooth-jazz label. Serious Albright fans may not appreciate the absence of his popular duets with his frequent partner, vocalist Will Downing, but that aside, this is a worthy summation of Albright's successful tenure at Atlantic Records.
Laura Toffetti, Tobias Bons, Antichi Strumenti - Johann Gottlieb Janitsch: Sinfonias (2011)

Laura Toffetti, Tobias Bons, Antichi Strumenti - Johann Gottlieb Janitsch: Sinfonias (2011)
EAC | FLAC (image+.cue, log) | Covers Included | 55:27 | 322 MB
Genre: Classical | Label: Cypres | Catalog: CYP1658

In recent years the rich musical life at the court of the Crown Prince and later King Frederick (the Great) of Prussia has been extensively explored. This has resulted in discs devoted to the music of the Benda and Graun brothers and composers like Quantz and Schaffrath. There is still much to discover, for instance the music of Christoph Nichelmann, Christian Friedrich Schale and Georg Czarth. Johann Gottlieb Janitsch also figures among the masters of what has been called the Berlin School.
Gerald Finley, Julius Drake - Franz Liszt: The Complete Songs, Volume 3 (2015)

Gerald Finley, Julius Drake - Franz Liszt: The Complete Songs, Volume 3 (2015)
EAC | FLAC | Image (Cue&Log) ~ 223 Mb | Mp3 (CBR320) ~ 165 Mb | Scans included
Genre: Classical, Vocal | Label: Hyperion | # CDA67956 | Time: 01:11:05

A third volume in Hyperion’s Complete Liszt Songs cycle warmly welcomes to the series maestro Gerald Finley. The songs themselves encompass everything from finely honed miniatures to big-boned epics of tragic import, and these compelling performances elicit from the multi-award-winning pairing of Finley and Julius Drake a sense of paced drama and pathos which is rarely matched.
Deutsche Staatsphilharmonie Rheinland-Pfalz & Mark Fitz-Gerald - The Gadfly (Original Score) (2017)

Deutsche Staatsphilharmonie Rheinland-Pfalz & Mark Fitz-Gerald - The Gadfly (Original Score)
Classical, Soundtrack | WEB FLAC (tracks) & d. booklet | 61:26 min | 236 MB
Label: Naxos | Tracks: 34 | 2017

Set in mid-nineteenth-century Italy during a turbulent period of pre-Unification political unrest, The Gadfly drew from Shostakovich one of his most dazzling and popular film scores, heard hitherto on record only in a suite arranged and re-orchestrated by Levon Atovmian. This recording presents the full, original score for the first time, as closely as possible to Shostakovichs original conception. Reconstructed by Mark Fitz-Gerald from the original manuscript and the Russian film soundtrack, it calls for a large orchestra including church bells, an organ, two guitars and a mandolin, all excluded from the Atovmian suite.

Susanne Heinrich - Tobias Hume: Passion & Division (2010)  Music

Posted by Designol at April 22, 2021
Susanne Heinrich - Tobias Hume: Passion & Division (2010)

Susanne Heinrich - Tobias Hume: Passion & Division (2010)
The First Part of Ayres - Captain Humes Musicall Humors, 1605

EAC | FLAC | Image (Cue&Log) ~ 267 Mb | Mp3 (CBR320) ~ 166 Mb | Artwork included
Classical, Renaissance | Label: Hyperion | # CDA67811 | Time: 01:10:43

The works for viola da gamba of Elizabethan soldier and composer Tobias Hume are wonderfully eccentric, highly entertaining, and often deeply moving, but not often recorded, so new recordings are always welcome. This 2009 Hyperion disc by German gambist Susanne Heinrich may not be the most poetic, soulful Hume recording ever made – that honor would go to the incomparable Jordi Savall – but it is nevertheless a fine addition to the composer's catalog. With her warm but penetrating tone, polished but passionate technique, and acute sensitivity, Heinrich is a first-class player and interpreter, and her performances are wholly sympathetic to the music. Her account of the bleak "I am Melancholy" is as effective as that of the droll "Tickell, tickell," and her reading of the cheerful "Life" is as moving as that of the grim "Deth." Recorded in transparent and present digital sound, this disc deserves to be heard by all admirers of music for viola da gamba.