The legacy of the Krautrock primeval rock, which is still active as one of the oldest German bands. On the occasion of the 50th birthday of the German cult herb rock band Bröselmaschine, MIG-Music put together a sensational box with five CDs and two DVDs that fully documents the history of this unique group from 1968 to 2017.
The anthology contains the four studio albums from 1971, 1976, 1978 and 1984 as well as a concert recording of the Burg Herzberg Festival in 2006. The concert and a performance at the Rockpalast (2005) can be found on the two DVDs. An impressive 48-page booklet with detailed liner notes and many photos make this carefully remastered compilation a special gem. It is exciting and entertaining to accompany this extraordinary band over the decades in different formations.
Swedish outfit Tribute was formed in Norrköping in 1982 by multi-instrumentalists Per Gideon Andersson and Christer Josef Hedin. An idea to produce and perform a concert on the concept "A Tribute to the Music" was what started it all - the twosome had already written all the music and it was then a matter of assembling the needed musicians. Many long nights of rehearsals followed, as well as much legwork for the promotion of the event, and when it went down on May 28th 1982 it was an astounding success. The concert hall was filled to the brim and the audience was more than pleased. It was then decided to make this an ongoing musical venture. The band travelled to Holland and Germany, and got themselves about 50 gigs there, and also anaged to secure a spot at the Montraux jazz festival after knocking on quite a few doors…
Formed in London in 1980, the Legendary Pink Dots moved to Amsterdam in the middle of the decade. Members throughout the band's career have been Edward Ka-Spel (vocals, keyboards) and Phil Knight (keyboards), also known as the Silver Man, with a shifting supporting cast over the years. The Dots' music is by turns melodic pop and exotic psychedelia, with classical influences, sampling, and relentlessly dark, violent, apocalyptic lyrics…
Jethro Tull was a unique phenomenon in popular music history. Their mix of hard rock; folk melodies; blues licks; surreal, impossibly dense lyrics; and overall profundity defied easy analysis, but that didn't dissuade fans from giving them 11 gold and five platinum albums…
After recording one of their darkest albums, 1984's The Top, the Cure regrouped and shuffled their lineup, which changed their musical direction rather radically. While the band always had a pop element in their sound and even recorded one of the lightest songs of the '80s, "The Lovecats," The Head on the Door is where they become a hitmaking machine. The shiny, sleek production and laser-sharp melodies of "Inbetween Days" and "Close to Me" helped them become modern rock radio staples and the inspired videos had them in heavy rotation on MTV. The rest of the record didn't suffer for hooks and inventive arrangements either, making even the gloomiest songs like "Screw" and "Kyoto Song" sound radio-ready, and the inventive arrangements (the flamenco guitars and castanets of "The Blood," the lengthy and majestic intro to "Push," the swirling vocals on "The Baby Screams")…
After recording one of their darkest albums, 1984's The Top, the Cure regrouped and shuffled their lineup, which changed their musical direction rather radically. While the band always had a pop element in their sound and even recorded one of the lightest songs of the '80s, "The Lovecats," The Head on the Door is where they become a hitmaking machine. The shiny, sleek production and laser-sharp melodies of "Inbetween Days" and "Close to Me" helped them become modern rock radio staples and the inspired videos had them in heavy rotation on MTV. The rest of the record didn't suffer for hooks and inventive arrangements either, making even the gloomiest songs like "Screw" and "Kyoto Song" sound radio-ready, and the inventive arrangements (the flamenco guitars and castanets of "The Blood," the lengthy and majestic intro to "Push," the swirling vocals on "The Baby Screams")…
Human Racing is the debut studio album by the English singer-songwriter Nik Kershaw. It was originally released in February 1984, on the label MCA Records. Several songs like "Drum Talk" were based around improvisation; other songs, like "I Won't Let the Sun Go Down on Me", had a political message…