Tomorrowland XV Years

A Space in Time was Ten Years After's best-selling album. This was due primarily to the strength of "I'd Love to Change the World," the band's only hit single, and one of the most ubiquitous AM and FM radio cuts of the summer of 1971. TYA's first album for Columbia, A Space in Time has more of a pop-oriented feel than any of their previous releases had…

This live set is OK in small doses. Ten Years After were always rooted in the blues, and the highlights here, such as "Good Morning Little Schoolgirl" and "Slow Blues in C," show they hadn't changed. While this set is competent enough, there just isn't enough of the excitement you would expect coming from this band…

Great live recording from the current Ten Years After line-up, featuring Marcus Bonfanti (guitars / vocals), Chick Churchill (Keyboards), Colin Hodgkinson (bass) & Ric Lee (drums)…

Founder members Chick Churchill, Leo Lyons and Ric Lee, together with ace guitarist/vocalist Joe Gooch, have done it again. Roadworks, recorded on their sell-out tour of Europe in November/ December 2004 is the smash follow-up to their hugely successful studio album Now…

The cover of Ten Years After's 1973 album Recorded Live depicts a giant reel-to-reel recorder, which certainly captures the era when this double-LP set was recorded. Approaching the end of their run – only one more album would come, 1974's Positive Vibrations – Ten Years After were deep into the thick of '70s arena rock, so everything they played on-stage wound up stretching well beyond the five-minute mark, sometimes reaching upward of 11 minutes…

Few British guitarists have given themselves to the blues with the same tenacity and perseverance as Alvin Lee. What to many of his generation was still a received method, to Lee was an organically absorbed culture he completely assimilated in. And what others have later began moving away from – be it toward hard rock, pop, or jazz fusion – to him has always remained a constant source of self-fulfillment…

Positive Vibrations is the eighth studio album by the English blues rock band, Ten Years After, which was released in 1974. Shortly after the release of this album, the band broke up. The album peaked at #81 in the US Billboard 200 chart…

Here, Ten Years After expanded on their boogie base and continued the hits. The title cut was the hit, and while they continued to groove along in the boogie atmosphere, things on Rock & Roll Music to the World sounded a bit too tame for the thundering hordes to chant along to at the time…

Watt had many of the same ingredients as its predecessor, Cricklewood Green, but wasn't nearly as well thought out. The band had obviously spent much time on the road, leaving little time for developing new material…