Tonights The Night (1987) Bobby Roth, Belinda Bauer, Jack Blessing, Max Gail

A jazz vocal group consisting of mainly new or emerging artists. Personnel includes Daryl Bosteels, Melissa Hamilton, Van Hawk, Christopher Humphrey, Jeff Auger, Marty Ballou, Fred Haas, and Les Harris, Jr. They've made four albums thus far for Denon, one a Christmas release, with their most recent effort featuring a guest stint from Clark Terry. In spite of this CD being self-titled, it is not the first recording by the vocal quartet the Ritz, but their initial release in a series of discs for Denon. The group had been in existence for five years at the time of these studio sessions. They do a great job with a fun-filled driving take of Louis Jordan's "Saturday Night Fish Fry," a lush arrangement of the moving "It Never Entered My Mind," an almost runaway Latin-flavored "Invitation," as well as a tightly negotiated through the ultimate bop roller coaster, "Scrapple From the Apple."

Into the Fire is the fifth studio album by the Canadian rock singer Bryan Adams. It was co-written by Jim Vallance. It was released on 30 March 1987 by A&M Records as the follow-up album to the chart-topping Reckless (1984). Into the Fire peaked at number seven on the US Billboard 200 chart and reached the Top 10 in several other nations. Six singles were released from the album: "Heat of the Night", "Hearts on Fire", "Victim of Love", "Only the Strong Survive", "Into the Fire" and "Another Day".

Into the Fire is the fifth studio album by the Canadian rock singer Bryan Adams. It was co-written by Jim Vallance. It was released on 30 March 1987 by A&M Records as the follow-up album to the chart-topping Reckless (1984). Into the Fire peaked at number seven on the US Billboard 200 chart and reached the Top 10 in several other nations. Six singles were released from the album: "Heat of the Night", "Hearts on Fire", "Victim of Love", "Only the Strong Survive", "Into the Fire" and "Another Day".

Ten on One (The Singles) is the first Greatest Hits album from German singer Sandra, released in 1987. Two singles were released for this compilation. This compilation includes songs from Sandra's debut studio album The Long Play (1985) and her second studio album Mirrors (1986). It was produced by Michael Cretu and Armand Volker. Sandra Ann Lauer, commonly known under her stage name Sandra, is a German pop singer who enjoyed a mainstream popularity in the 1980s and early 1990s with a string of European hit singles, produced by her then-husband and musical partner, Michael Cretu, most notably "(I'll Never Be) Maria Magdalena" (1985), "In the Heat of the Night" (1985), "Everlasting Love" (1987), "Secret Land" (1988), "Hiroshima" (1990) and "Don't Be Aggressive" (1992). Her albums Into a Secret Land (1988) and Close to Seven (1992) have won Sandra high critical acclaim.

Ten on One (The Singles) is the first Greatest Hits album from German singer Sandra, released in 1987. Two singles were released for this compilation. This compilation includes songs from Sandra's debut studio album The Long Play (1985) and her second studio album Mirrors (1986). It was produced by Michael Cretu and Armand Volker. Sandra Ann Lauer, commonly known under her stage name Sandra, is a German pop singer who enjoyed a mainstream popularity in the 1980s and early 1990s with a string of European hit singles, produced by her then-husband and musical partner, Michael Cretu, most notably "(I'll Never Be) Maria Magdalena" (1985), "In the Heat of the Night" (1985), "Everlasting Love" (1987), "Secret Land" (1988), "Hiroshima" (1990) and "Don't Be Aggressive" (1992). Her albums Into a Secret Land (1988) and Close to Seven (1992) have won Sandra high critical acclaim.

The Kinks were one of the most important bands from the "British Revolution" in the sixties. The band, based in Muswell Hill in London, consisted of the brothers Davies, (Ray and Dave), Mick Avory and Pete Quaife. During their existence they have played different styles of rock('n'roll) music. Interesting were their lyrics, usually about the lower class of society. Singer Ray Davies has always had a fascination for the ordinary people. After two flops they had their first big hit in 1964: You Really Got Me. This song had a rough guitar riff, that's why some people even call it the first heavy metal song ever. They kept scoring hits after that, timeless songs like Sunny Afternoon, Waterloo Sunset, Lola and All Day And All Of The Night.

Coming off the success of the previous year's Reconciled, the Call returned in 1987 with Into the Woods. The slow-building "I Don't Wanna" is a bit ragged at moments but reaches an impressive sonic swell and Michael Been's vocals are passionate as always. "In the River"'s tone is forlorn, but backed by a solid, smoldering melody and gospel background vocals. A tumbling, percussive beat drives "It Could've Been Mean," a rumination on fate that is simple, yet effective. "Day or Night" probably comes the closest to best capturing the band's usual anthemic style. Much of In the Woods has a darker, more serious feel to it. The somber, introspective nature of the lyrics and the lack of a track with a hook as memorable as the radio hits from Reconciled undoubtedly doomed a further commercial breakthrough. However, Into the Woods is a worthy and challenging artistic follow-up.

This 1987 album followed in the footsteps of Los Lobos' two stunning predecessors (And A Time To Dance and How Will the Wolf Survive). One of the band's many strengths is the contrast between the formidable songwriting of David Hidalgo/Louie Perez and Cesar Rosas, with the former exploring stories of sadness and hope while the latter rocks like a barn on fire. This is an album of incredibly natural songs; they roll out like long lost classics, but that's simply another testament to the prowess of this band as players and writers. In a way, this was the band's last offering before they were forced to take stock of themselves and their goals in the wake of the surprise million-selling La Bamba soundtrack. That they were able to carry themselves forward from that point with grace and aplomb is foreshadowed in the utter honesty of this and all of their music.