Totentanz Człowiek (2014)

Another gem from the creative Beegie Adair and her trio. This time, she is accompanied by Jeff Steinberg and his orchestra. A loving tribute to Tony Bennett and his illustrious career. As usual, Beegie includes one selection on the album where she plays solo piano and she picked 'I Left My Heart In San Francisco'. A beautiful rendition. This is a great album tinged with jazz overtones without losing the melodic memories of Tony's original sound. The orchestra is perfectly balanced and adds just the right touch while still allowing the familiar Beegie Adair Trio sound to shine through. If you are new to Beegie's music, this album will make you a convert to her impeccable sound and those like myself, have added it as another gem to her large catalog of great music.

One of the most time-honored blues legends is that of how Robert Johnson gained his mastery of the guitar: he sold his soul to the Devil for it. Los Angeles native and now Springfield IL resident, James Armstrong, however, communes with a different source for musical inspiration – four “Guitar Angels,” namely his father James Armstrong, Sr., Coco Montoya, Joe Louis Walker, and Mike Ross. On this second release through Catfood Records (his fifth CD overall), the incredible Armstrong pulls out all the stops when it comes to contemporary electric and soul-influenced blues. Armstrong’s veteran guitar work is consistently lively, creative, and interesting. He has crafted along with his fellow artists ten stellar original songs and two covers (The Eagles’ “Take It to the Limit” and a stellar and Soulful take on Johnny Copeland’s “Blues Ain’t Nothin’”), their upbeat and crowd-pleasing energy never fails to uplift listeners. At Armstrong’s side are seventeen remarkable musicians, including producer Michael Ross on guitar and percussion, Dan Ferguson on keyboards, and drummers Richy Puga, Rick King, and Warren Grant.

Throughout the 1990’s, Hiatt recorded a series of well-received and commercially successful albums and toured widely. Chart position by now became perhaps less relevant to Hiatt's career: he was developing a consistently supportive audience; he was nominated for Grammy awards. By the end of the decade, Hiatt was releasing albums on independent labels and achieving consistent success outside mainstream commercial structures. In this 2003 concert, Hiatt is joined by Sonny Landreth on guitar, David Ranson on bass, and Kevin Blevins on drums – the tight and virtuoso combo Hiatt dubs the Goners; these musicians had played on "Slow Turning", and "The Tiki Bar Is Open", as well as on "Beneath This Gruff Exterior", Hiatt's most recent album when this concert was recorded.

Spyra is a German musician and producer from Berlin who has made numerous records in more than a decade, including releases with Dr. Alex Paterson, Hyperium Records, Fax Records and Manikin Records. His interpretation of post-electronic is a well-tempered mix of Krautrock-infused sequences accompanied by modern, neo-classic melody structures. Staub is not a memory of what Spyra has accomplished in the past, it presents modern live electronic elements with modern rhythms, building something epic and unexpected towards the finish line. Composed, played and recorded in only one take at each night, the music of Staub offers a fascinating duality between the blackness and the clearness. It's a strange ballet stuffed of contrasting choreographies. It's also an attractive pastoral ode where the shadows crawl on innocents melodies which try to anchor near our ears.

In Venice in the 18th century, Christmas was celebrated as only Venetians know how to celebrate: according to one account, more wax was burnt to light up the three storeys of the Procuratie on Christmas Eve, than in all the rest of Italy in an entire year. At the same time, rather than being an independent feast – and as such, the most singularly important one of the year – the Venetian Christmas was also part of the city's famous Carnevale, which at this time lasted for almost six months. This lent a rather special character to the celebrations, compared with for instance the more clerically inclined Rome.