Jethro Tull's 11th studio album, Heavy Horses, is one of their prettier records, a veritable celebration of English folk music chock-full of gorgeous melodies, briskly played acoustic guitars and mandolins, and Ian Anderson's lilting flute backed by the group in top form. This record is a fairly close cousin to 1977's Songs from the Wood – and was ultimately the hinge-piece and first of an ecologically themed trilogy which concluded with 1979's Stormwatch – except that its songs are decidedly more passionate, delivered with a rough, robust energy that much of Tull's work since Thick as a Brick had been missing. In its lustiness it arguably surpasses even Aqualung. "No Lullaby" is the signature heavy riff song, a concert version of which opened Bursting Out: Jethro Tull Live recorded that same year. Anderson sings it – and everything else here – with tremendous intensity, as though these might be the last lines he ever gets to voice.
"The Complete Bearsville Albums Collection" houses 11 Todd Rundgren studio albums inside a wonderful 13CD clamshell box. This boxset showcases the complete collection of Rundgren’s finest work released on the exceptionally cool Bearsville label; all studio albums apart from the epic double live set Back to the Bars, all solo, no Utopia LPs.
A pop savant who fastidiously avoided easy categorization throughout the course of his career, Todd Rundgren straddled the gap separating a mainstream star from a cult figure. Rundgren had plenty of hits in the 1970s and '80s, many of them becoming enduring contemporary standards, such as the Carole King pastiche "I Saw the Light," the ballads "Hello, It's Me" and "Can We Still Be Friends," plus the goofy novelty "Bang on the Drum All Day." These hits displayed his sharp commercial instincts, impulses he'd wind up subverting and tweaking on such heady '70s LPs as Something/Anything, A Wizard, A True Star, and Todd, records at the core of a discography…
The edition comprises 33 CDs and 1 LP with previously unreleased recordings (Piano Concerto No. 2 performed by Vladimir Krainev and the Leningrad Philharmonic Orchestra conducted by Yuri Temirkanov; and Vocalise orchestrated by the composer and performed by the Moscow Philharmonic Orchestra conducted by Dmitri Kitaenko).
This special once-in-a-lifetime set is housed in a replica of the original Motown headquarters: the "Hitsville U.S.A." house on Detroit's West Grand Boulevard, now the home of the internationally renowned Motown Museum. It's a true collectible. Inside the house are 5 digi-paks - containing 10 CDs. The box set comes with a beautiful 100-page mini-photo book, including rare and classic images, track annotations and an introductory essay by the man who started it off, the one and only Smokey Robinson. Limited to 30,000 copies.
One of the most persistent questions that musicians ask themselves while practicing a piece is the inevitable query of how the composer himself might have performed his music. There are many written reports on how the old masters such as Bach, Mozart, and Beethoven may have played or improvised; and there are lines of teacher/pupil relationships which can trace their lineage back to the pianistic greats such as Liszt, but still we have to imagine the sound since we cannot actually hear it.
This Woman's Work: Anthology 1978–1990 is a compilation box set by the British singer Kate Bush. Released in 1990 on CD, vinyl and cassette; it comprises her six studio albums to that point together with two additional albums of B-sides, rarities and remixes…