Touch The Terminals

is an album by American singer-songwriter , released in 1979. Continuing on a downhill curve, this record did little for 's career. Recorded in Austin, Texas with a group of musicians who had been backing at the time, the main failing is that King doesn't play piano on any but three tracks, and then not as well as she's been come to be known.

US band Supernal Endgame started out around the year 2000 as a new project for John Ergle and Rob Price, long time collaborators in a number of different bands. The main idea for this specific endeavour was to create a band with a spiritual emphasis, blending symphonic progressive rock with power pop and the pomp rock of the late 70's. As the project evolved Dan Pomeroy got involved, effectively becoming a third member of the band.
Just about half the album draws the main inspirations from acts like Yes and Kansas, clearly and distinctly symphonic in style but perhaps not as sophisticated as the hardcore fans of this genre might like it. Shifting compositions exploring multiple themes is the name of the game for these efforts, but with just as much emphasis on vocals as instruments, the latter at times taking on more of a backdrop…

The Doors' 1967 albums had raised expectations so high that their third effort was greeted as a major disappointment. With a few exceptions, the material was much mellower, and while this yielded some fine melodic ballad rock in "Love Street," "Wintertime Love," "Summer's Almost Gone," and "Yes, the River Knows," there was no denying that the songwriting was not as impressive as it had been on the first two records…

With 'The Touch' Søren Kristiansen and Thomas Fonnesbaek present their take on a classic piece of jazz, playing the music of Oscar Peterson and Niels-Henning Ørsted Pedersen.