Texas Troubadour is a four-disc box set that packages the late songwriter Townes Van Zandt's first seven studio albums for the Poppy and Tomato labels: For the Sake of the Song (1968); Our Mother the Mountain (1969); Townes Van Zandt (1970); Delta Momma Blues (1971); High, Low and In Between (1972); The Late Great Townes Van Zandt (1972), and Flyin' Shoes (1978). In addition, there are four studio outtakes from 1972-73 and a decent portion of Live at the Old Quarter, Houston issued in 1973. Charly reproduces the original cover art in miniature, two covers to each CD. Sound is the same as on the original CD issues, so fans who already own these albums will not be served by purchasing them again in this format. Musically, the work is superb, and since many of Van Zandt's recordings are out of print, this is a fine argument for getting them altogether. Another plus is Adam Komorowski's extensive biographical essay included in the 36-page color booklet that's loaded with photos.
Townes Van Zandt was a one-of-a-kind artist who blazed a new trail for singer/songwriters, conjuring a sound that combined elements of country and folk with his own artful melodic sensibility, matched with lyrics that were personal, poetic, and impressionistic while remaining firmly down to earth. A new breed of Texas singer/songwriters followed Van Zandt's example, and it's all but impossible to imagine artists like Guy Clark, Jimmie Dale Gilmore, or Steve Earle finding their voice without his guiding influence. This two-disc set features Van Zandt's first two albums, 1968's For the Sake of the Song and 1969's Our Mother the Mountain.
On his third album, Townes Van Zandt recut three crucial tracks from his debut album, "For The Sake Of The Song," "Waiting Around To Die," and "I'll Be Here In The Morning." It was some indication of the obscurity in which he remained enveloped, but no indication of the quality of his work. (Actually, Van Zandt rerecorded songs from his first album on his later ones because he disliked the earlier recordings.) As usual, his closely observed lyrics touched on desperate themes, notably in tbe mining ballad "Lungs," but they were still highly poetic, especially the album-closing "None But The Rain," which reflected on a failed relationship. Van Zandt's finger-picking was augmented by spare arrangements, usually featuring one added instrument for color, such as a fiddle or flute.
Be Here to Love Me is the official soundtrack from a docmentary film by Margaret Brown about Townes Van Zandt. The music on these two discs is largely taken from Van Zandt's catalog on Tomato, but there are a couple of live cuts and alternate versions of previously released cuts contributed by his longtime manager Harold F. Eggers. These include "Nothin'," "Black Crow Blues," and "To Live's to Fly." There are a few bits of movie audio offered by Brown.
On Sunday 24th April 1994, in a leafless corner of north London, one thousand people came to see this legendary artist sing a selection of the greatest contemporary folk songs ever written. It was a triumph musically, with Townes on stunning form….on this night Townes was in total control of everything and everyone. His playing and singing were exemplary and the beauty of the songs struck right to the heart of everyone in the audience.
This 18-track, 63-minute import disc was Townes Van Zandt's third live album, recorded in October 1990. It shared eight selections with his first, Live at the Old Quarter, Houston, Texas, and five with his second, Live & Obscure. Distinguishing this set were some interesting covers, including Lightnin' Hopkins' "Short-Haired Woman Blues" and the Rolling Stones' "Dead Flowers," a long, funny story concerning the composition of Van Zandt's most famous song, "Pancho & Lefty," and the otherwise unrecorded original "Catfish Song," a typically poetic and downcast Van Zandt composition. And, if you didn't have any of Van Zandt's other albums, discovering material like "If I Needed You," "To Live Is to Fly," and "Tecumseh Valley" would be a revelation.