Ne-o-clas-si-cism: A revival of classical aesthetics and forms, especially, characterized by a regard for the classical ideals of reason, form, and restraint, by order, symmetry, and simplicity of style. Neo-classicism and Roy Hargrove have become synonymous in jazz circles. His style and focus are now completely his own. Roy possesses a hard driving spirit to excel. Volumes have been written about the virtuosity of Oscar Peterson, his competitive spirit and drive. Together you have the makings of an exciting jam session that's well worth the price of admission. In this case the cost of the CD, that finds these two jazz poets working with a strong cast of players including Peterson's long time associate, Neils-Henning Ørsted Pedersen on bass. This quintet setting gives all the players ample room to stretch and have fun. This CD is highly recommended listening pleasure.
While it's true that Oscar Peterson compilations appeared with regularity form the early '60s on, only a few of them – as with most recording artists – have any real merit. This two-disc collection from the Concord Music Group's Telarc label, is one of them. Appearing less than a year before his death, this compilation concentrates on recordings issued from the '50s through the middle of the '80s on Dizzy Gillespie's Pablo label, and those made for Telarc between 1990 and 2000. Many live dates are included here from both labels, including "Tenderly" with Herb Ellis and Ray Brown at the J.A.T.P. concerts in Japan; the trio dates at Zardi's in 1955 ("How High the Moon"), in Copenhagen with Joe Pass, Stéphane Grappelli, and Niels-Henning Ørsted Pedersen in 1979, and Mickey Roker in 1979 ("Nuages")….
Famous and lesser-known Jazz standards sung beautifully - feeling at once timeless and new. With Joe "Sonny" Barbato - piano, Jim Lyden - bass, Les Harris, Jr. - drums, Vinny Raniolo - guitar, Matt Langley - Saxophone, and Jason Anick - violin…