Japanese edition with 1 more track (Traveling), different running order and track durations. This CD features the revived Modern Jazz Quartet during their 30th year (counting a seven-year "vacation"), playing some of their usual repertoire – such as "Django," "The Cylinder," and "Bags' Groove," which for some reason was renamed "Bags' New Groove" – before an appreciative audience at the 1982 Montreux Jazz Festival. In reality, this release adds little to the MJQ's legacy, since all of the songs but vibraphonist Milt Jackson's "Monterey Mist" had been recorded before (some of them many times), but it does show that the band still had its enthusiasm and the ability to make the veteran material sound fresh and swinging.
Guitarist Joe Pass was known for his forthright, straight-ahead style, gorgeous tone, and melodic concepts. This magnificent five-CD set collects his entire output in 1963 and 1964 as a leader, with additional sessions in which Pass plays in a trio led by Les McCann. Most of the tracks feature a quartet (the five exceptions adding the saxophone or flute of Bill Perkins), with the guitarist virtually always a key voice.
When trombonist/producer Wayne Henderson, pianist/keyboardist Joe Sample, sax-man Wilton Felder, and drummer Stix Hooper changed their name from the Jazz Crusaders to the Crusaders back in 1971, it signaled a more R&B-minded direction for the group – they were always funky, but in the '70s, they became even funkier. And so, the names the Crusaders and the Jazz Crusaders came to stand for two different things – if the Jazz Crusaders were synonymous with a funky yet acoustic-oriented approach to hard bop (à la Art Blakey's Jazz Messengers), the Crusaders were about electric-oriented jazz-funk and fusion. In 1995, Henderson (who left the Crusaders in 1975) resurrected the name the Jazz Crusaders and produced Happy Again for the small, Los Angeles-based Sin-drome Records.
Founded in 1942 by Herman Lubinsky, Savoy grew to become one of the great reputable jazz and blues labels. Reaching its zenith in the bebop ear, Savoy became renowned for its great recordings of Charlie Parker, Dizzy Gillespie, Erroll Garner, Miles Davis, The Ravens, George Shearing, Art Pepper and countless other famous names of Fifties Jazz. This compilation of Great Trumpets is drawn entirely from the famous Savoy Jazz Catalogue and is the first time that a compilation of this depth has been made available. Good jazz guitar recordings are rare birds and this compilation of standards from some of the "raves" and less popularly acclaimed guitar players of the last fifty years makes for welcome and relaxed listening.
Kenny Burrell, Pat Martino, Charlie Byrd, Grant Green and others.
Founded in 1942 by Herman Lubinsky, Savoy grew to become one of the great reputable jazz and blues labels. Reaching its zenith in the bebop ear, Savoy became renowned for its great recordings of Charlie Parker, Dizzy Gillespie, Erroll Garner, Miles Davis, The Ravens, George Shearing, Art Pepper and countless other famous names of Fifties Jazz. This compilation of Great Trumpets is drawn entirely from the famous Savoy Jazz Catalogue and is the first time that a compilation of this depth has been made available. Good jazz guitar recordings are rare birds and this compilation of standards from some of the "raves" and less popularly acclaimed guitar players of the last fifty years makes for welcome and relaxed listening.
Kenny Burrell, Pat Martino, Charlie Byrd, Grant Green and others.