Multiple Grammy winner Composer, Arranger Conductor Vincent Mendoza has 35 Grammy Nominations across his storied career, including his sixth Grammy for his last Album Freedom Over Everything. For his latest offering Olympians Mendoza is joined by Metropole Orkest, which he has led as chief conductor for the past six years. It is a bright, zingy and as the title suggests, triumphant record to add to Mendoza’s outstanding career. Mendoza has written arrangements for a wide variety of pop and jazz artists from Joni Mitchell, Sting, Melody Gardot, Elvis Costello and Bjork to Joe Zawinul, John Scofield and Randy Brecker.
While Vince Guaraldi's piano playing and composing have had a big influence on George Winston's work, there is little sense of direct imitation in this affecting tribute to the man who composed the memorable music for the television specials based on cartoonist Charles M. Schultz's Peanuts characters. Winston's solo piano style is fuller and more reflective than Guaraldi's, a hearty blend of powerful chords and subdued rhythms. It seems to embrace Guaraldi's tunes, both the Peanuts songs, like the title tune and "You're in Love, Charlie Brown," and Guaraldi's other music, like "Cast Your Fate to the Wind" and "Monterey," which seems to blend somber tones with an almost luminous quality. The warmth, wit, and whimsy here evoke memories of the best work of Guaraldi and Schultz.Adam Rains, amazon.com
Though Guaraldi had a little over six more years to live, this was his last commercial release; thus one must rely upon memories of the Peanuts specials for his considerable musical growth during the '70s (particularly in his airborne use of electronic keyboards). This time, producer Shorty Rogers imposed some discipline upon Guaraldi's increasingly eclectic pursuits and pulled an engaging straight jazz album from him, where the focus is primarily on his melodic swinging piano work in his usual mainstream and Latin grooves. The sidemen include many of Guaraldi's colleagues from the Fantasy days and top-flight guests, with the pungent guitar of Herb Ellis featured most prominently, and Guaraldi even takes a rudimentary electric guitar solo himself on "Uno y Uno"…