Treasures From American Film Archives (4 Volumes) [12 Dvd9s] (2000 2009)

Höör Barock, Emelie Roos - Baroque Concertos with Recorder - Treasures from Swedish collections (2022) [Of Digital Download]

Höör Barock, Emelie Roos - Baroque Concertos with Recorder - Treasures from Swedish collections (2022) [Of Digital Download]
FLAC (tracks), Lossless [24bit-96kHz] | 1:08:17 | 1.36 Gb
Genre: Classical / Label: Naxos Sweden - Proprius Records

The Swedish virtuoso recorder player Emelie Roos is a multifaceted musician. Having grown up with folk music, violin, recorder and singing, Emelie is today active as a soloist, chamber musician, pedagog and producer. Emelie has played together with the leading Baroque orchestras and ensembles of Sweden. She has been engaged as a soloist with both symphony orchestra and string orchestra, and as a theater musician in theater and opera house. As artistic director of Höör Barock, Emelie has, together with lutenist Dohyo Sol, managed to create an international centre of Early Music in their small hometown.
Books and Beyond  4 volumes : The Greenwood Encyclopedia of New American Reading

Books and Beyond 4 volumes : The Greenwood Encyclopedia of New American Reading By Kenneth Womack
2008 | 1333 Pages | ISBN: 0313337381 | PDF | 5 MB

Skyscraper Cinema: Architecture and Gender in American Film  eBooks & eLearning

Posted by at May 26, 2009
Skyscraper Cinema: Architecture and Gender in American Film

Skyscraper Cinema: Architecture and Gender in American Film by Merrill Schleier
Publisher: Univ Of Minnesota Press | Number Of Pages: 368 | Publication Date: 2009-02-23 | ISBN-10: 0816642818 | PDF | 7 Mb

Whether tall office buildings, high-rise apartments, or lofty hotels, skyscrapers have been stars in American cinema since the silent era. Cinema’s tall buildings have been variously represented as unbridled aspiration, dens of iniquity and eroticism, beacons of democracy, and well-oiled corporate machines. Considering their intriguing diversity, Merrill Schleier establishes and explains the impact of actual skyscrapers on America’s ideologies about work, leisure, romance, sexual identity, and politics as seen in Hollywood movies.
Schleier analyzes cinematic works in which skyscrapers are an integral component, interpreting the iconography and spatial practices in these often fictional modern buildings, especially on concepts of gender. Organized chronologically and thematically, she offers close readings of films including Safety Last, Skyscraper Souls, Wife vs. Secretary, Baby Face, The Fountainhead, and Desk Set. Opening with the humorous antics of Harold Lloyd, the premier skyscraper filmmaker of the silent era, the book moves through the disillusionment of the Depression era, in which skyscrapers are employed as players in moralistic, class-conscious stories, to post–World War II and its reimagining of American political and economic values and ends with the complicated prosperity of the 1950s and the lives of white-collar workers and their spouses.
Bjork - Selmasongs [OST from the film Dancer in the Dark]

Bjork - Selmasongs [OST from the film Dancer in the Dark]
APE (separated tracks), Log, no cue | EAC + Monkey's Audio | 200 MB
5% recovery | No scans yet | Electronic, Rock, Soundtrack | Elektra 2000

Renowned director Lars Von Trier's stroke of genius in making his 2000 film Dancer in the Dark was to cast Iceland-born avant-pop siren Bjork in the central role and then enlist her aid in composing and performing a series of musical numbers for the movie. In the film, Bjork's character Selma lives an unrelentingly hard life as a single mother and factory worker who is quickly going blind. The film's songs come from Selma's inner world, where she (and the audience) find respite from all the harshness of reality.

Bjork's compositions, with orchestral arrangements from Vince Mendoza, hang together on their own quite nicely. Catherine Deneuve (Bjork's co-star) and Radiohead's Thom Yorke make effective vocal cameos, but Bjork's voice and music are the central focus. As we hear the industrial sounds of the factory turn into the rhythm of a song, or follow Bjork's oddly intuitive melodic leaps through a dreamlike haze of strings, it becomes clear that her idiosyncratic writing style adapts quite well to the cinematic milieu. As usual, her uniquely entrancing singing style stands out above almost all else.
"Overture" was nominated for the 2001 Grammy Award for Best Pop Instrumental Performance and "I've Seen It All" was nominated for Best Instrumental Arrangement Accopanying A Vocalist.

Thelma & Louise Live!: The Cultural Afterlife of an American Film  eBooks & eLearning

Posted by at May 20, 2009
Thelma & Louise Live!: The Cultural Afterlife of an American Film

Thelma & Louise Live!: The Cultural Afterlife of an American Film by Bernie Cook
Publisher: University of Texas Press | Number Of Pages: 224 | Publication Date: 2007-10-15 | ISBN-10: 0292714661 | PDF | 4 Mb

When they floored their Thunderbird off a cliff rather than surrender to the law, Thelma and Louise became icons of female rebellion, provoking strong reactions from viewers who felt either empowered or outraged by the duo's transgressions of women's traditional roles. The 1991 film quickly became—and continues to be—a potent cultural reference point, even inspiring a bumper sticker that declares, "Thelma & Louise Live!"
In this insightful study of Thelma & Louise, six noted film scholars investigate the initial reception and ongoing impact of this landmark film. The writers consider Thelma & Louise from a variety of perspectives, turning attention to the film's promotion and audience response over time; to theories of comedy and the role of laughter in the film; to the film's soundtrack and score; to the performances of stars Susan Sarandon and Geena Davis; to the emergence of Brad Pitt as a star and male sex object; and to the film's place in the history of road and crime film genres. Complementing the scholarly analysis is an in-depth interview of screenwriter Callie Khouri by editor Bernie Cook, as well as reviews of Thelma & Louise that appeared in U.S. News & World Report and Time.
VA - Street Jams Electric Funk (4 Volumes) (1992-94)

VA - Street Jams Electric Funk (4 Volumes) (1992-94)
EAC | FLAC IMG,CUE+LOG = 504/456/563/529MB | MP3@320 = 178/169/196/185MB | 400 dpi Scans
Electro | Label: Rhino | FSo/FSe
Годовые сборники «Фантастика» в 12 томах

Годовые сборники «Фантастика» в 12 томах
2000-2009 г. | "АСТ" | Разные авторы | Russian (Руcский) | fb2, doc | 6 Мб (+5%)

Сборником "Фантастика 2000" издательство "АСТ" открыло серию ежегодных антологий. Пока издано 14 сборников, входящих в серию "Звездный лабиринт".
The Encyclopedia of the Vietnam War [4 volumes]: A Political, Social, and Military History

Spencer Tucker, "The Encyclopedia of the Vietnam War [4 volumes]: A Political, Social, and Military History"
AB C-CLI O | 2011 | ISBN: 1851099603 | 2040 pages | PDF | 57 MB
Thelma & Louise Live!: The Cultural Afterlife of an American Film [Repost]

Bernie Cook - Thelma & Louise Live!: The Cultural Afterlife of an American Film
Published: 2007-10-15 | ISBN: 0292714653, 0292714661 | PDF | 240 pages | 4 MB
Joseph Vitarelli - My Architect: A Son's Journey - Music From The Film (2004)

Joseph Vitarelli - My Architect: A Son's Journey - Music From The Film (2004)
EAC | FLAC | Image (Cue&Log) ~ 256 Mb (incl 5%) | Mp3 (CBR320/Stereo) ~ 139 Mb (incl 5%) | Scans included
Genre: Soundtrack, Score | Label: Koch | # CR003 / KOC CD 5756 | Time: 00:40:49

Joseph Vitarelli's (THE LAST SEDUCTION, SHE'S SO LOVELY, COMMANDMENTS) lush, orchestral score evokes a contemplative, playful, and sometimes haunting reflection of filmmaker Nathaniel Kahn's journey to piece together the life of his absent father, renowned architect Louis I. Kahn. The MY ARCHITECT soundtrack also features two vocal performances: the devotional "Call to Prayer" (a striking solo by a Muslim muezzin recorded on location at the mosque in Kahn's monumental National Assembly Building of Bangladesh) and the celebratory Hebrew hymn "Hayom Tamtzeinu" rendered with fervor by a cantor originally from Kahn's home city of Philadelphia. Included also on the soundtrack is a taped snippet of Louis Kahn himself in the visionary moment captured in a track called 'The Brick'. The documentary MY ARCHITECT was nominated for an Academy Award for Best Documentary Feature, and won the hearts of audiences and critics alike, placing it on a large number of best film of the year lists.