The musicianship of the three players, as well as the mastery of their respective instruments, is out of question. However, this album is clearly oriented by Solal's approach to jazz, which sometimes is difficult to follow. At times introspective, at times technically overwhelming, the angularities of his playing are reserved to those specialists who really appreciate him. On the other hand, the lack of commercialism deserves full respect. And it is surely useful for those interested in instrumental technique, for the piano, bass or drums.
Daft Punk quickly rose to acclaim in 1993 by adapting a love for first-wave acid house and techno to their younger roots in pop, indie rock, and hip-hop. The combined talents of DJs Guy-Manuel de Homem-Christo and Thomas Bangalter as Daft Punk have been responsible for the most memorable and genre-defying house hits of the last decade. Musique Vol 1 1993-2005 offers for the first time their collected singles and several rare remixes.
This album was recorded in Nepal at Tibetan Buddhist monasteries of the Gelugpa and Nyingmapa sects. Most of the cuts are Gelugpa, including part of the Chäd – a cleansing ritual. Other sections include the assembly call (with conch horns), prayer wheel, prostration rites, and more. A second group of tracks includes a ritual to Vajrayogini – a major female deity in Tibetan Buddhist practice. Various ritual instruments (thigh-bone trumpets, hand drums, cymbals, oboes, etc.) are heard.
I still remember the first time I heard Ahmed Malek. It was 2012. Back then I didn’t know much about Arabic music, but I was about to leave Berlin for a couple of weeks to go to Tunisia. I was working as a project manager for a music recoding session which ended up being released by Jakarta Records as the “Sawtuha” release. I knew I would have some time off during my stay and I was certain that I would dedicate some of this time to diggin. I asked some people whether they knew of any titles that I should look for. Roskow, who also ended up re-mastering this release, told me about an Algerian composer called Ahmed Malek whose music was also released in Tunisia.
Barracuda Triangle is a side project of three members from The Flower Kings: Tomas Bodin on keyboards, Jonas Reingold on bass/guitars and Felix Lehrmann on drums. Their debut "Electro Shock Therapy" (2014) is an instrumental album which demonstrates how talented and what amazing players they all are. The music is an eclectic mix of heavy prog, symphonic and fusion while still keeping it fairly progressive other than just going on improvising forever, there are many different ideas going through all kinds of moods, every song seems to explore different territories while still everything falls under the umbrella of heavy fusion, the music is dramatic, dark, soft, raw and unexpected with some King Crimson inspired moments…
Chion began splicing together tape making musique concrete in France in the '70s. The title track to this collection of pieces is a 37 minute 16 second dark, mysterious, and at times demented version of the classic "Funeral Mass." "Funeral Mass" is the basis for all classical requiems. While such classic requiems glorify the suggestion of eternal life suggested by the religious interpretation of death, Chion's work probes the existential panic of those living under the threat of death. A dark, kaleidoscope collage of cruel whispers, snippets of choral works, and eerie, segmented sacred string music promote a feeling of uneasiness and abandonment.
For his latest ATMA Classique recording, horn player Louis-Philippe Marsolais has chosen a selection of chamber music by Clara and Robert Schumann composed for various instruments, some of which have been transcribed for horn. He is joined by pianists Philip Chiu and David Jalbert, and cellists Stéphane Tétreault and Cameron Crozman.