Trinity of Sin: Pandora German

The influence that 80s gay nightlife had on electronic music, pop music in general and the evolution of clubbing for subsequent generations is pretty much incalculable. In spite of the shadow of AIDs and reactionary political and media forces both at home and in the USA, the period 1980 1990 bore witness to a dazzling explosion of dance music that artfully drew a line from the peak of late 70s disco to the emergence of house and it's 90s glory days. The art of the 12" single, the thrill of the remix, the rise of the superclub, the electronic spark of chart pop, the challenging of gender barriers… all had their origin in the gay clubs. It's not unreasonable to make the claim that by the end of the 80s, virtually ALL chart pop music sounded like it had it's origins on the dancefloors of Heaven nightclub! Over 5CDs Box Of Sin strives to tell the story of that decade across 54 tracks, and to tease apart the strands of 80s gay clubbing to show a period of unrivalled creativity and disco diversity.

The T&T Clark Companion to the Doctrine of Sin provides a comprehensive treatment of the doctrine of sin.

by Ellert Nijenhuis (Author)

This thesis focuses on understanding the growth and formation mechanism of supermassive black holes (SMBHs), an issue it addresses by investigating the dense interstellar medium that is assumed to be a crucial component of the fuel for SMBHs. The thesis also offers unique guidance on using the Atacama Large Millimeter/submillimeter Array (ALMA) in active galactic nuclei (AGN) research.

After exiting the Byrds, Gram Parsons and Chris Hillman formed the Burrito Brothers and recorded The Gilded Palace of Sin, an alternative country record before there even was such a thing. It's all thrilling: the country-ish covers of soul classics such as "Dark End of the Street," the distorted pedal-steel fills of Sneaky Pete Kleinow, and the classic country-rock compositions like the bluegrassy draft-dodger's anthem "My Uncle" and the amazingly twangy critique of capitalism, "Sin City." Along with the Byrds' Sweetheart of the Rodeo, this is the premier example of Parsons and Hillman's prescient hippie-from-Muskogee aesthetic.

New City Of Sin is the 1997 album by Grievous Angels. This quartet were a country band, some called them punkabilly but it is just a rock and country attitude that sounds more like the 1950's and less like the 1980's or 90's. This was their debut album released on Bloodshot Records.