Trisomie 21 – Black Label

Fiona Bruce and the Antiques Roadshow team make a return visit to the Black Country Living Museum in the West Midlands on one of the hottest days of the year. Susan Rumfitt discovers some jewels fit for a princess, while Hilary Kay explores local motor racing history at the Sunbeam Motor Car Company. A surrealist picture appeals to Rupert Maas, but is it the real deal? And the show takes a surprising turn to the Wild West with one of the rarest guns Bill Harriman has ever seen - a Colt 37 revolver!

What happens to a dream when the dreamer is gone? PAINT IT BLACK is the story of the aftermath of Michael's death, and Josie's struggle to hold onto the true world he shared with her. As Josie searches for the key to understanding his death, she finds herself both repelled and attracted to Michael's pianist mother, Meredith, who holds Josie responsible for her son's torment. Soon, the two women find themselves drawn into a twisted relationship reflecting equal parts distrust and blind need.

Captain Flint and his pirates, twenty years prior to Robert Louis Stevenson's classic "Treasure Island".

Ousmane Sembène was one of the greatest and most groundbreaking filmmakers who ever lived, as well as the most renowned African director of the twentieth century—and yet his name still deserves to be better known in the rest of the world. He made his feature debut in 1966 with the brilliant and stirring Black Girl. Sembène, who was also an acclaimed novelist in his native Senegal, transforms a deceptively simple plot—about a young Senegalese woman who moves to France to work for a wealthy white family and finds that life in their small apartment becomes a prison, both figuratively and literally—into a complexly layered critique of the lingering colonialist mind-set of a supposedly postcolonial world. Featuring a moving central performance by M’Bissine Thérèse Diop, Black Girl is a harrowing human drama as well as a radical political statement—and one of the essential films of the 1960s.

This month, the Sky at Night team reveals how the first picture of a supermassive black hole was captured. When the photograph of the hole at the heart of the M87 galaxy was released in April, it captured the world’s imagination and made headlines everywhere.

The Egypt of the Great Pyramids, the Sphinx, and the Valley of the Kings was an empire of indomitable might. Then, around 800 BC, the impossible happened. Kush, a subject kingdom from the south, rose up and conquered Egypt, enthroned its own Pharaohs, and ruled for nearly 100 years. These were the mysterious Black Pharaohs of what is today Sudan—the Nubian kings—whose reign has become legendary among Africans and written off as heresy by early archaeologists who refused to believe that dark skinned Africans could have risen so high.

Rogosin took the fight for equality to his homeland with his astonishing and powerful fourth feature Black Roots. The film, which is ripe for rediscovery, featured an extraordinary cast, including Reverend Frederick Douglass Kirkpatrick; attorney and feminist activist Florynce ""Flo"" Kennedy; and musicians Jim Collier, Wende Smith, Larry Johnson and Reverend Gary Davis. All tell stories of heartbreak and despair while their songs blow the roof off the rafters. In an extension of the famed shebeen scenes in Come Back, Africa, the participants in Black Roots spoke openly about politics and race in a way that is still rarely seen on screen. In 1970, it was a radical and daring move by a great director. A deeply humanist film, Black Roots combines tales of oppression with hauntingly beautiful images of the faces of black men, women and children.

A young programmer makes a fantasy novel into a game. Soon, reality and virtual world are mixed and start to create confusion.