Tristan Horx

The composer Friedrich Gernsheim, who was highly respected during his lifetime, is largely unknown today. Yet, especially in his choral compositions, he broke away from traditional ideas of form at an early stage and was thus ahead of many of his contemporaries. With this recording, Tristan Meister and Vox Quadrata have set themselves the goal of bringing the forgotten choral works of the Jewish composer back into the public consciousness.

The Waltzes of Chopin, like his Mazurkas and his Polonaises, bear witness to the composer’s predilection for dance forms. Most of them, however, are not for dancing, as, unlike the Strauss family, Chopin never intended to write dances, but to touch hearts and minds. Combining grace, poetry and refinement, these Waltzes are central in the piano repertoire and for almost two centuries they have been constantly rediscovered. If their interpretation requires a solid mastery of the piano, it is also essential to know how to keep the correct expressive balance. To put it simply, to fully grasp the composer’s intentions one must not only be a skilled pianist but also an accomplished artist. Tristan Pfaff combines these two qualities in order to bring out all the beauty of Frédéric Chopin’s seventeen waltzes.

Known for his scientific explorations of timbre and his innovative syntheses of acoustic and electronic techniques, Tristan Murail is regarded as a composer of the "spectral school." He accepts untempered sound as the basis for his expansive musical language, far removed from tonality, serialism, and aleatoric procedures. Gondwana was developed from electronic music concepts, and its expanding and contracting bands of complex sounds are analogous to those generated through a synthesizer. Shimmering clusters, washes of color, and massed, low sonorities evoke the slow shifting of continents. The Orchestre National de France, directed by Yves Prin, delivers this work with primordial grandeur and astonishing depth. Because of its smaller forces, Désintégrations is more focused and intense than Gondwana, though no less cosmic in its implications. The Ensemble de l'Itinéraire blends effectively with the electronic tape, so it is difficult to distinguish acoustic from synthetic sounds. Time and Again is a departure from the familiar practice of slowly unfolding processes, for its chopped-up material is jumbled, as if sequential events were reordered in a time machine.

The first chamber music album 'Ravel & Chausson' by Claire Huangci as part of the Trio Machiavelli has been released today. The combination of Maurice Ravel's Piano Trio and Ernest Chausson's Piano Quartet marks an encounter between two works of opposite character.

Cyrille Dubois is unstoppable: after two albums dedicated to Liszt and the Boulanger sisters, both acclaimed by the critics, and a flamboyant complete set of Fauré songs, the tenor is back to his preferred repertoire, the French art-song. He reunites with his accomplice, pianist Tristan Raës, to bring the Bordeaux composer Louis Beydts (1895-1953) out of oblivion, most of whose pieces are recorded here for the first time.

Cyrille Dubois is unstoppable: after two albums dedicated to Liszt and the Boulanger sisters, both acclaimed by the critics, and a flamboyant complete set of Fauré songs, the tenor is back to his preferred repertoire, the French art-song. He reunites with his accomplice, pianist Tristan Raës, to bring the Bordeaux composer Louis Beydts (1895-1953) out of oblivion, most of whose pieces are recorded here for the first time.

Cyrille Dubois is unstoppable: after two albums dedicated to Liszt and the Boulanger sisters, both acclaimed by the critics, and a flamboyant complete set of Fauré songs, the tenor is back to his preferred repertoire, the French art-song. He reunites with his accomplice, pianist Tristan Raës, to bring the Bordeaux composer Louis Beydts (1895-1953) out of oblivion, most of whose pieces are recorded here for the first time.