Tuby Hayes

"Black Moses" is the fifth studio album by American soul musician Isaac Hayes. It is a double album released on Stax Records' Enterprise label in 1971. The follow-up to Hayes' successful soundtrack for Shaft (also a double album), Black Moses features Hayes' version of The Jackson 5's hit single "Never Can Say Goodbye". Hayes' version became a hit in its own right, peaking at #22 on the Billboard Hot 100.

NEA Jazz Master Louis Hayes certainly personifies the term "living history." Born in Detroit, Hayes packed up his drum set and caught a train east, arriving in New York City in 1956 to join the Horace Silver Quintet. In 1959 he joined the Cannonball Adderley band, finding himself, in his early 20s, at the nerve center of the jazz world. He would visit John Coltrane in his apartment and was to make several justly famous recordings with him. Over the next 60 years Hayes amassed a impressively great body of work, playing and recording with Oscar Peterson, Dexter Gordon, Grant Green, Kenny Burrell, Cedar Walton, Sonny Rollins, Woody Shaw and many more of the giants of modern music.

"Live At The Sahara Tahoe" is the first live album by American soul musician Isaac Hayes. The album, recorded live at the Sahara Hotel & Casino in Lake Tahoe, Nevada, was released in 1973, by Stax Records' Enterprise imprint.

Tubby Hayes - Jazz Genius: The Flamingo Era (2010) {3CD Set Fantastic Voyage FVTD050 rec 1956-1961}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 793 Mb | MP3 @320 -> 397 Mb
Full Artwork @ 600 dpi (png) -> 227 Mb | 5% repair rar
© 1956-61, 2010 Fantastic Voyage / Future Noise Music | FVTD050
Jazz / Bebop / Bop / Hard Bop / Saxophone

Released in 2010, Jazz Genius: The Flamingo Era is the ideal sequel to Proper's Little Giant, which examined saxophonist Tubby Hayes' recording activity as sideman and leader during the years 1954-1956. Jazz Genius follows his progress from 1956 through 1961, an exciting period during which he enlarged upon the Charlie Parker/Dizzy Gillespie/James Moody influences by continuing to absorb what was in the air while tapping into his own intuitive gifts, branching out from tenor and baritone saxes to demonstrate a developing facility on both vibraphone and flute. Drawn from six different albums, these 41 selections were originally recorded for the Ember label which was operated by Jeff Kruger, owner of the Flamingo Club in Soho.