Limited 96 CD set. Conductor, pianist, composer and media personality, André Previn excelled in a diversity of musical genres and idioms. A child prodigy in his native Berlin, he moved to the USA in 1939 and made his early career in Hollywood, winning four Academy Awards. His time as Principal Conductor of the London Symphony Orchestra (1968-1979) established him as a major interpreter of symphonic repertoire, particularly Russian, French and British music - "The very definition of good conducting," wrote Gramophone of his celebrated LSO version of Tchaikovsky's Nutcracker.
Riccardo Chailly is a dynamic and sometimes controversial conductor known for his devotion to contemporary music and for his attempts to modernize approaches to the traditional symphonic repertory. His many recordings for the Decca label include modern masterworks by Zemlinsky, Hindemith, and Schnittke, the symphonies of Gustav Mahler, and a number of operas.
Riccardo Chailly is a dynamic and sometimes controversial conductor known for his devotion to contemporary music and for his attempts to modernize approaches to the traditional symphonic repertory. His many recordings for the Decca label include modern masterworks by Zemlinsky, Hindemith, and Schnittke, the symphonies of Gustav Mahler, and a number of operas.
Herbert von Karajan isn’t alone in celebrating his 100th birthday this year. Among composers whose 100th anniversary falls in 2008, Olivier Messiaen (10 December) is definitely the most important To whet your appetites for further releases in this anniversary year, here is a 1-CD midprice compilation of Messiaen’s ecstatic slow movements: a sequence of eight movements from major works that together make an unforgettable impression: supple in rhythm, subtle in melody and incredibly rich in harmony. Almost like variations on a theme (with plenty of F sharp major too!), the 70-minute disc is uniquely relaxing and moving at the same time – by no means the usual pot-pourri compilation.
I’ve said it before, and I’ll say it again: not only is Messiaen’s epic meditation on the birth of Christ one of his most astonishing creations, it’s also one of the greatest solo organ pieces ever written. As with so much of his oeuvre, which spans all genres, the composer’s Catholicism is an unequivocal and indivisible part of his unique, instantly recognisable aesthetic. Indeed, it would be impossible to attribute, say, the Turangalîla-Symphonie, Catalogue d'oiseaux or Des Canyons aux étoiles to anyone else. And working my way through Sylvain Cambreling’s Hänssler box of the orchestral music for a future review, I was struck anew by the sheer range and consistency of Messiaen’s craft.
The Elbphilharmonie, the “hall of wonders” (The Guardian), is undoubtedly the new landmark of Hamburg, a monumental synthesis of breath-taking architecture, a unique location and a world-class concert hall. In varying instrumentation the NDR Elbphilharmonie Orchestra under the baton of Principal Conductor Thomas Hengelbrock and several top-class soloists explores in the opening concert the possibilities of the Elbphilharmonie’s Grand Hall and ist acoustics with an exciting programme that spans across all musical eras, from the Renaissance to the present. It culminates in a brand-new commissioned work, created especially for this occasion by the most important living German composer, Wolfgang Rihm.
One of the pinnacles of nineteenth-century pianism, Modest Mussorgsky’s Pictures at an Exhibition broke new frontiers in its writing for the piano through its use of ringing bell-like sonorities, dramatic juxtaposition of registers and dynamics, its approach to resonance, percussive octaves and rapid hand-alternations, and sheer grandeur of sound. Introducing new ideas about virtuosity that owe much to orchestral thinking in the ways the full range of the piano’s tone-colours are explored, this work requires immense stamina through combining great finger dexterity with unbridled power.
To be sure, there are some great performances in this 10-disc set, André Previn: The Great Recordings. Previn's insouciant wit is evident in his effervescent reading of Gershwin's Rhapsody in Blue, and there is deep affection in his sensuous account of highlights from Prokofiev's Romeo and Juliet. His explosive rendering of Orff's Carmina Burana has barbaric splendor, and there is thrilling excitement in his orgasmic interpretation of Rachmaninov's Second Symphony. But it can't be denied that Previn's superficial readings of Holst's The Planets and Debussy's Images are little more than musical travelogs, and that his dreary accounts of Shostakovich's Eighth and Elgar's Enigma Variations are musty musical picture galleries. His extravagantly colorful renderings of Messiaen's Turangalîla Symphony and Walton's Belshazzar's Feast come across as lurid musical history lessons.
DG 111: The Conductors gathers all the great conductors on Deutsche Grammophon from the 1930s to the 2000s in one essential box set. A 40CD original-jacket collection with iconic recordings alongside rarer gems, several of the recordings found herein are new to CD or are experiencing their first international CD release.