Tutto Verdi The Complete Operas Boxset Disc 10 : Macbeth (2012) [full Blu Ray]

On Thanksgiving Day 1976, The Band took the stage for the very last time at the Winterland Theatre in San Francisco. The concert, aptly billed as The Last Waltz, has become one of the most revered performances of all time…

Stage Fright, the Band's third album, sounded on its surface like the group's first two releases, Music from Big Pink and The Band, employing the same dense arrangements with their mixture of a deep bottom formed by drummer Levon Helm and bassist Rick Danko, penetrating guitar work by Robbie Robertson, and the varied keyboard work of pianist Richard Manuel and organist Garth Hudson, with Helm, Danko, and Manuel's vocals on top…

Diana Damrau and Angelika Kirchschlager star in the acclaimed 2008 production of Humperdinck's famous fairytale opera, in the company of two of Britain's most revered musical figures: Thomas Allen, playing the role of the Father, and the legendary conductor Colin Davis. Directors Patrice Caurier and Moshe Leiser combine their characteristic wit and a dash of deliciously dark comedy with the opera's fairytale charm. Humperdinck's music mixes catchy folk-like songs with sumptuous instrumental colour, making the result as tunefully approachable, musically memorable and visually delightful as opera gets. Filmed in High Definition and recorded in full Surround Sound.

The classic Bob Marley album, the one that any fair-weather reggae fan owns, Legend contains 14 of his greatest songs, running the gamut from "I Shot the Sheriff" to the meditative "Redemption Song" and the irrepressible "Three Little Birds." Some may argue that the compilation shortchanges his groundbreaking early ska work or his status as a political commentator, but this isn't meant to be definitive, it's meant to be an introduction, sampling the very best of his work, and it sticks to his later output for Island Records…

For years the undisputed Rossini tenor par excellence, Juan Diego Flórez at last makes his debut in the hugely demanding role of Arnold and 'masters his part with seemingly effortless perfection' (Die Presse). Graham Vick's 2013 production gives the opera uncut in its original French version, complete with the often omitted ballet music. The William Tell legend of patriotic and political intrigue in 14th-century Switerland is interpreted by Vick as a timeless class conflict with dramatic and unforgettable images. A 'perfect cast' is conducted with 'verve and intensity' (Opera Today)

From the opening notes of the overture to the final curtain, Emilio Sagi’s classic, triumphant production fully brings to life all the elegant wit and theatricality of Mozart’s comic masterpiece.
Leading baritone Ludovic Tézier shines as the lustful Count Almaviva who attempts to obtain the favours of Figaro’s bride-to-be, Susanna (Isabel Rey), while Luca Pisaroni gives a feisty performance as Figaro. Conductor Jesús López Cobos masterfully captures the enchanting score. A witty yet profound tale of love, betrayal, and forgiveness.

Surely Bach’s French Suites, which he composed during his years at Cöthen (1717–1723), are among the finest inducements to practise that any teacher has ever made to a pupil. In this case Bach wrote them for his young wife, Anna Magdalena. The over-riding impression left by these suites is one of endearing tunefulness. Clavier-Übung II is a later collection of didactic keyboard pieces. It comprises two greatly contrasted works: the Italian Concerto and the Overture in the French Style. These performances admirably demonstrate the thoughtful and persuasive approach that András Schiff adopts when performing Bach. Recorded live at the Bachfest 2010, Protestant Reformed Church of Leipzig, 11 June 2010.

Kasper Holten’s production (The Royal Opera’s first) of Król Roger (King Roger) brought the opera back to the London stage after an absence of almost 40 years. Karol Szymanowski’s masterpiece powerfully presents the dilemmas of culture versus nature and man versus beast, and movingly depicts King Roger’s inner struggles as he moves from an impossible life of repressed desires to the other extreme, giving in to his own demons. Meanwhile, Roger’s people, seduced by the promises of the mysterious Shepherd, are drawn towards totalitarianism and repression. Antonio Pappano conducts Szymanowksi’s opulent and beautiful score, with a cast including Mariusz Kwiecień as Roger (one of the greatest interpreters of the role today), Saimir Pirgu as the Shepherd, and Georgia Jarman in her Royal Opera debut as Roger’s loving queen Roxana.