One of the greatest finds of the 21st century for the early music world, Telemann’s 12 Fantasias for Viola da Gamba were considered lost until the discovery of an original print in a private collection in Germany in 2015. Perhaps some of the composer’s finest work for solo instrument, they are described by soloist Richard Boothby as being “… by turns virtuosic and expressive,Telemann usesall the techniques of the instrument to create satisfyingly complete Fantasias that are full of diversity.”One of the UK’s leading exponents of early music, Richard Boothby founded the Purcell Quartet in 1984 and was a founder member of Fretwork in 1985. Since then his career has been bound up with these two groups with whom he records and tours; and through whom he plays the broadest range of repertory for the instrument from the earliest music to the latest contemporary music commissioned for viols.
Skyliner was one of Charlie Barnet's most exciting hit records, and quickly became as closely identified with his big band as was Ray Noble's Cherokee. This 1996 EPM Musique Jazz Anthology compilation is one of at least six Barnet albums with the word "Skyliner" in the title. Tracks one through twelve were recorded for the Bluebird label between June 19, 1940 and April 30, 1942. Tracks thirteen through twenty follow Barnet's progress through the turbulent wartime years with a trail of Decca sides cut between July 1942 and February 1944. "Skyliner" comes from a V-Disc recorded on July 13, 1944; "E-Bob-O-Lee-Bob," like "Oh Miss Jaxon" a vocal feature for trumpeter Peanuts Holland, was harvested from a Jubilee broadcast on December 6, 1945. Some of this band's arrangements were written by Horace Henderson, Billy May and by the leader himself. Most Charlie Barnet albums are well worth investigating. This one lives somewhere near the top of the heap.
Lena Horne was an international jazz superstar and a dynamic performer of striking appearance and elegant style. Singer/actress Lena Horne's primary occupation was nightclub entertaining, a profession she pursued successfully around the world for more than 60 years, from the 1930s to the 1990s. In conjunction with her club work, she also maintained a recording career that stretched from 1936 to 2000 and brought her three Grammys, including a Lifetime Achievement Award in 1989; she appeared in 16 feature films and several shorts between 1938 and 1978; she performed occasionally on Broadway, including in her own Tony-winning one-woman show, Lena Horne: The Lady and Her Music, in 1981-1982; and she sang and acted on radio and television.