Twelve Hats For Lena

Although the very attractive Lena Horne has never really been a jazz singer, her vocals are generally of interest to jazz listeners and she has occasionally recorded in jazz settings. This Bluebird CD is pretty definitive of the first half of her career. Horne sings a pair of ballads with Charlie Barnet's 1941 orchestra and two songs (including "Don't Take Your Love From Me") with a unique Artie Shaw-led all-star band that includes Benny Carter, Red Allen, and a string section. The remainder of the disc features Horne backed by studio orchestras, and the results are superior (if sometimes overly dramatic) renditions of standards as rendered by a top-notch cabaret singer. Highlights include "Stormy Weather," "Ill Wind," "Moanin' Low," "As Long As I Live," and "It's All Right With Me."

Avid presents four classic Lena Horne albums plus, including original LP liner notes on a finely re-mastered double CD. "Stormy Weather", "Give the Lady What She Wants", "At the Waldorf Astoria", "A Friend of Yours" plus the rare E.P. "At the Cocoanut Grove".
The liner notes for our first album "Stormy Weather" very accurately describe Avid's latest recruit to our four classic album series. "In singing there is Ella. In night clubs there is Hildegarde. In the movies there is Lana… and in all three- in singing, night clubs and movies there is the entertainer supreme - Lena… a fascinating mixture of talent, charm and beauty… This is Lena". Across these classic albums we can hear Lena covering the songs of Jimmy Van Heusen and Johnny Burke on "A Friend Of Yours"…

We'll Be Together Again is a 1994 album by Lena Horne. At the 1995 Grammy Awards, Horne was nominated for a Grammy for Best Jazz Vocal Performance for this album. Lena Horne is nine years older than the 70-something Tony Bennett, and like him has lost a good bit of power and tone from her voice. Unlike Bennett, though, she doesn't try to bull her way through her vocal limits on We'll Be Together Again; she stays within those limits and fashions a striking testament to the subtleties of romance and friendship in one's autumnal years. Billy Strayhorn was one of Horne's very best off-stage friends, and seven of the 16 tracks here were written by Strayhorn and/or his partner Duke Ellington. Three more songs–"My Buddy," "Old Friend" and the title tune–are heartfelt remembrances of those once dearest to Horne and now gone–Strayhorn, her ex-husband, her son, her hairdresser and her wardrobe mistress.

It is difficult not to love Lena Horne. Recorded when she was 77, this live CD finds the ageless singer sounding as if she were 57 at the most (and the photo of her on the cover makes her look 47). Horne talks the lyrics a little more than in the past but she cuts loose in spots with power, performs superior standards, takes part of a Duke Ellington/Billy Strayhorn medley as a duet with bassist Ben Brown and is not shy to hold long notes. on six of the songs 11 horns from the Count Basie Orchestra riff and play harmonies behind her; otherwise Horne is joined by her usual quartet with pianist Mike Renzi and guitarist Rodney Jones. The well-rounded set is Lena Horne's most rewarding recording in years.

Men Without Hats broke big with their 1982 debut, Rhythm of Youth. Though they never maintained that level of success, their third album Pop Goes the World was a smart, well-crafted, woefully underrated offering. The album chronicles the quest for and backlash of fame on songs like the title track, on which Ivan sings "Johnny and Jenny had a crazy dream/See their pictures in a magazine." Perhaps it was a way of dealing with the band's sudden success/failure, particularly on "Lose My Way" and "The Real World.." Thankfully, a wild sense of humor and a heartbreaking poignancy keeps the album from becoming too serious. Additionally, each song is vastly different: there are some lullabies ("Moonbeam"), some anthems ("Jenny Wore Black"), and some dirges ("Bright Side of the Sun" - which is criminally short, adding to its power)…

After a lengthy and successful run on RCA from 1955-1962, Lena Horne cut a few albums for the small Charter label. Picking up on the period craze for all things Latin - mambo, bossa nova, or otherwise - Horne recorded this 1963 collection of swinging, Latinized standards for the company. With husband and bandleader Lennie Hayton directing a crack group through some fine Shorty Rogers arrangements, Horne shows off her powerful and supple voice on both obscure fare ("Cuckoo in the Clock") and perennial classics from Tin Pan Alley ("My Blue Heaven"). And while some might balk at the Mancini-like lounge touches informing highlights like the fiercely delivered "From This Moment On" and a bravura reading of "Night and Day," one must ask what would be better to temper the driving rhythms, frenetic horn charts, and Horne's theatrical phrasing…

Men Without Hats broke big with their 1982 debut, Rhythm of Youth. Though they never maintained that level of success, their third album Pop Goes the World was a smart, well-crafted, woefully underrated offering. The album chronicles the quest for and backlash of fame on songs like the title track, on which Ivan sings "Johnny and Jenny had a crazy dream/See their pictures in a magazine." Perhaps it was a way of dealing with the band's sudden success/failure, particularly on "Lose My Way" and "The Real World.." Thankfully, a wild sense of humor and a heartbreaking poignancy keeps the album from becoming too serious. Additionally, each song is vastly different: there are some lullabies ("Moonbeam"), some anthems ("Jenny Wore Black"), and some dirges ("Bright Side of the Sun" - which is criminally short, adding to its power)…

This remastered rerelease presents recordings by the legendary Lena Horne in beautiful digital quality. Including standards such as I Got Rhythm, Sometimes I Feel Like a Motherless Child, Mad About the Boy and many more, Horne's unmistakable voice shines in these performances with the likes of bandleaders Marty Paich, Phil Moore, and Lou Bring.