Two The Best Pessimist

Sophie Ellis-Bextor - The Song Diaries (2019)  Music

Posted by aasana at March 14, 2019
Sophie Ellis-Bextor - The Song Diaries (2019)

Sophie Ellis-Bextor - The Song Diaries (2019)
Pop, folk, rock | 01:13:28 | WEB FLAC (tracks) | 469 MB
Label: Cooking Vinyl UK

Throughout the '90s, the U.K. music scene was filled to the brim with nerdy cockney types sporting messy threads and even messier hair. Fresh-faced Sophie Ellis-Bextor was among the first Brit-pop stars to break with this trend. She made it onto the stage in 1997 as the teenage vocalist behind new wave outfit theaudience. Smartly dressed (often in black) and boasting an alluring, posh voice, she caused quite a stir on London's alternative circuit. Theaudience became known the world over as a groundbreaking pop act and even enjoyed success on the crowded U.K. singles chart with such imaginatively titled numbers as "I've Got the Wherewithal." Due to internal conflicts, however, the group split up and Ellis-Bextor went searching for success on her own.
Charles Earland - In Concert: At The Montreux Jazz Festival and The Lighthouse (1972-1974) {Pestige PRCD-24267-2 rel 2002}

Charles Earland - In Concert: At The Montreux Jazz Festival and The Lighthouse (1972-1974) {Pestige PRCD-24267-2 rel 2002}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 527 Mb | MP3 @320 -> 187 Mb
Full Artwork @ 300 dpi (jpg) -> 14 Mb | 5% repair rar
© 1972-74, 2002 Prestige / Fantasy | PRCD-24267-2
Jazz / Soul Jazz / Organ Hammond B-3

This two-fer CD pairs 1972's Live at the Lighthouse with the less impressive, though still worthy, 1974 album Kharma, which was recorded at that year's Montreux Jazz Festival. As the head of a sextet on Live at the Lighthouse, Earland spearheaded some first-class soul-jazz, which integrated some funk and rock of the early '70s without sounding like a watered-down cocktail of all those styles (as many other soul-jazz-pop albums of the time did). The horn section of James Vass on sax and Elmer Coles on trumpet leaned more toward soul than jazz, as heard on the opening instrumental cover of Sly & the Family Stone's "Smilin'." The Carpenters' "We've Only Just Begun" wasn't the greatest tune to attempt, though Earland gamely put it into a boppish swing arrangement.