Two Worlds 2000 Lee

Jerry Lee Lewis - Four Original Mercury Albums (2017) {2CD BGO Records BGOCD1276 rec 1969-1978}
EAC rip (secure mode) | FLAC+CUE+LOG -> 740 Mb | MP3 @320 -> 272 Mb
Full Artwork @ 300 dpi (png) -> 61 Mb | 5% repair rar
© 1969, 1970, 1978, 2017 Smash / Mercury Records / BGO Records | BGOCD1276
Rock & Roll / Rhythm & Blues / Rockabilly / Country / Gospel / Honky Tonk

Digitally remastered two CD set containing four Smash/Mercury Records albums from The Killer, dating from 1969, 1970, 1971 and 1978. Together features Jerry Lee's sister Linda Gail and the album included the US Country Top 10 single 'Don't Let Me Cross Over'. Live At The International and In Loving Memories - The Jerry Lee Lewis Gospel Album are what they say they are Keeps Rockin was his last for Mercury and with producer Jerry Kennedy. Like the others in this package, the album made the US Country charts, and also produced the Country hit 'I'll Find It Where I Can'. His gospel performances of "The Old Rugged Cross" and "The Lily of the Valley" and live renditions of "Jambalaya, " "Take These Chains from My Heart" and "Flip, Flop and Fly" join his country Top 10s "Don't Let Me Cross Over" and "I'll Find It Where I Can, " his spins on "Blue Suede Shoes, " "Roll Over Beethoven, " "Sweet Little Sixteen" and more.

Gilgamesh (1975). Esoteric's 2011 remastered reissue of Gilgamesh's 1975 eponymous debut recording provides a 21st century opportunity to investigate a fine group that emerged during the waning days of Britain's Canterbury scene. These Canterbury stylists were formed in 1972 with the core of the band built around Alan Gowen on keyboards and Mike Travis on drums. At various times, the line-up included former Caravan and Hatfield & The North member Richard Sinclair, Mont Campbell (formerly of Egg) and Neil Murray. Gilgamesh is a classic of the Canterbury style and is sure to be a much sought after release by all aficionados of the genre…

Gilgamesh (1975). Esoteric's 2011 remastered reissue of Gilgamesh's 1975 eponymous debut recording provides a 21st century opportunity to investigate a fine group that emerged during the waning days of Britain's Canterbury scene. These Canterbury stylists were formed in 1972 with the core of the band built around Alan Gowen on keyboards and Mike Travis on drums. At various times, the line-up included former Caravan and Hatfield & The North member Richard Sinclair, Mont Campbell (formerly of Egg) and Neil Murray. Gilgamesh is a classic of the Canterbury style and is sure to be a much sought after release by all aficionados of the genre…

Now, this really is a chunk to bite off and chew. This six-disc overview of the long, winding, and confounding career of Uriah Heep (confounding that Mick Box and Lee Kerslake have managed to keep it afloat for nearly 40 years), is the first box to take into consideration all the permutations this dinosaur juggernaut has been through…

Of all the few truly innovative bands in the realm of extreme metal, few are as exciting to follow from a chronological standpoint as Napalm Death. Beginning with their roots in the mid-'80s as a mutated hardcore punk band with a tendency to detune their guitars, growl their vocals, and play at apocalyptic levels of intensity, the band soon went through many phases that have been nearly as influential: by the late '80s they were the world's definitive grindcore band; at the dawn of the '90s they integrated the complexities of death metal into their grindcore; then in the early '90s they began experimenting with different mutations of post-grindcore metal; and finally in the late '90s they began playing a unique style of metal that blended together the best elements of grindcore, death metal, and mainstream metal…

"Crystal" was released on 13 August 2001 as the first single from their seventh studio album, Get Ready (2001). It entered the UK Singles Chart at number eight, attracting considerable attention and critical praise as the band's comeback single, their first original since 1993.
Rising from the ashes of the legendary British post-punk unit Joy Division, New Order triumphed over tragedy to emerge as one of the most acclaimed bands of the 1980s; embracing the electronic textures and disco rhythms of the underground club culture many years in advance of its contemporaries, the group's pioneering fusion of new wave aesthetics and dance music successfully bridged the gap between the two worlds, creating a distinctively thoughtful and oblique brand of synth pop appealing equally to the mind, body, and soul.

Totally Driven is a greatest hits album by British hard rock band Uriah Heep, released on 12 November 2015 on their own label, Uriah Heep Records. The album contains re-recorded versions of 27 of their best known songs, recorded with the long-standing 1986-2007 lineup. The album was originally released in 2001 with a different track order as Remasters: The Official Anthology, but it went out of print quite quickly and was forgotten about. It was reissued in 2004 as Uriah Heep's Gold: Looking Back 1970-2001 without the band's knowledge by a European budget label. According to guitarist Mick Box, the songs were recorded in preparation for the Acoustically Driven and Electrically Driven concerts. Totally Driven is housed in a six panel digipak with new custom artwork. This album features the band's longest running line-up of Mick Box, Lee Kerslake, Phil Lanzon, Bernie Shaw and the late Trevor Bolder. Totally Driven is the first on the band's own label Uriah Heep Records.

Originally issued in Japan in 1998, Sonic Origami was released in the U.S. a year later with the bonus track intact. The album has a grand, epic tone throughout that doesn't always match Uriah Heep's journeyman-sounding prog-tinged hard rock, and some songs' lyrics sink under the weight of their pretension or sentimentality. But for diehard Heep fans those are minor quibbles; while the group's sound may not be devastatingly original anymore, they are definitely quite committed to their performances, and the occasional overreaching is part and parcel with this sort of classic AOR pomp-rock (and, in fact, constitutes a not insignificant part of its appeal).