Casual Silence was founded in 1993 by three singers from different musical backgrounds. After originally starting as a rock cover band, Casual Silence soon grew into a melodic rock band with mainly her own work. The compositions, autobiographical lyrics and influences from the rock, symphonic and progressive metal, were effortlessly transformed into exciting songs with a sound of its own. In 1997 the band launched her debut album “Bad Side Memories”. With this album they also got ample opportunity to prove themselves live on the stage. In 1999 the mini-disc “Shamelessly Dressed” was released, which showed the group has developed in a versatile way. After the release of this second album, the name ‘Casual Silence’ often appears in the pop and rock magazines and the band became a well known name in the regional rock scene…
Plaid are the London electronic music duo Andy Turner & Ed Handley. They are former members of The Black Dog and used many other names (such as Atypic and Balil) before settling on Plaid. They have collaborated with female singers Mara Carlyle, Nicolette and Björk, and have released records on the labels Clear, Warner, Black Dog Productions, and Warp Records.
Plaid - Double Figure (2001). Inspired to get back to basics after the release of the Trainer retrospective, Plaid returned in 2001 with an LP of tough machine music, closer to the melancholy beatbox style of their mid-'90s singles than the rangy, dynamic sound of 1999's Rest Proof Clockwork. Except for the cycling guitar-like lines on the opener "Eyen," there aren't many traditional-sounding instruments on Double Figure…
Synthetic Block (1998). Jonathan Block records as Synthetic Block. Synthetic Block is also the title of his debut release. He combines sequences and atmospheres to create little pockets of energy. It is all very tidy and systematic. Block sets his compositions with right angles and exact circles. He puts square pegs in square holes and round pegs in round holes. The scientific approach, while it seems harsh, works well for Block. The atmospheres are gentle and warm. The soundscapes are friendly and inviting. This is a very nice debut. It will appeal to fans of Ron Boots, Dave Fulton, and Paul Ellis…
The Divine Baze Orchestra was founded by Oliver Eek (lead guitar, backing vocals) and Christian Eklöf (drums, percussion) in 2003 immediately followed by Alexander Frisborg (lead vocals, mellotron, rhythm guitar) and Tobias Petterson (bass). In the beginning the band's sound was similar to many of the heavy, fuzzy bands of the late 60's and early 70's, but as time passed, they were more and more drawn towards the experimental, psychedelic and jazz-oriented bands of the same era. After a few years of intense giging in the space of Sweden Daniel Karlsson (organ, mellotron) joined The Divine Baze Orchestra and the band entered a new sound dimension. The completed line-up now could also explore symphonic sound landscapes with the power of the organ behind them and it took some time to rearrange the old material to be suited to the new instruments…
Signed to the UK label AD Music for many years, Bekki Williams is best known for her melodic, emotive, orchestral style of instrumental music, which is well-showcased on her solo albums Elysian Fields, Shadow of the Wind, Innersense and Edge of Human. Classically trained from a very young age, Bekki is an award-winning flautist and multi-instrumentalist who has worked as an orchestra soloist, a music teacher, a backing vocalist, a session musician and a sound engineer, as well as running a commercial recording studio of her own. Expertly crafted, with heart, soul, and strong classical elements which give it immense depth, hers is music with considerable musical structure and style. Bekki is able to imbue her musical creations with a strong emotional content that lifts her music far above the norm.
An all-instrumental group that mixed prog metal and jazz fusion with the more ethereal sounds of King Crimson, Gordian Knot was the project of bassist/stick player/keyboardist Sean Malone with several collaborators including guitarist Trey Gunn of King Crimson and former Cynic drummer Sean Reinert. Gordian Knot also included guitarists Ron Jarzombek and Glenn Snelwar. As well as playing atmospheric and heavy progressive music, the group also experimented on their eponymous debut with Eastern-influenced pieces. Malone soon began working on a sequel with a whole new roster of prog rock guests, including former Genesis guitarist Steve Hackett and former Yes drummer Bill Bruford.
Treasure (2007). David Helpling and Jon Jenkins are both veterans of ambient electronic music. Deep spaces punctuated by powerful grooves make this album a rewarding listening experience that is beyond words. Travel into the deep and discover the magic and wonder of treasure. The Crossing (2010). Since the release of their first collaboration, Treasure, David Helpling and Jon Jenkins have spent the past two years in the depths of deep exile carefully crafting a new recording, and are now ready to resurface with The Crossing. With this collaboration, Helpling and Jenkins embark on a fresh sonic expedition - a cinematic, powerful and deeply melodic triumph that lifts their music to new heights. More than just a follow-up to Treasure, The Crossing is a climb, a challenge and most of all a continuation of the journey; a deliberate sequel that launches from the very place that Treasure so gently released the listener three years earlier.
In the early seventies, the British-American group Carmen broke new ground in rock music, combining the British flair for progressive rock with traditional Spanish folk themes into a very fresh, energetic and powerful new mix. The sound is centered around guitar, keyboards are used subtly but to good effect. On the whole, they are a rather hard band to describe… Some vague comparisons could be made to Jethro Tull, Mezquita (some of the Spanish themes), and Triana (the flamenco/prog combination).
Opal Fire (2002). Son of a UN diplomat and classically trained, exciting young pianist Akram grew up digesting musical influences from around the world. These exotic flavors are brilliantly woven together in melodies that take flight and soar with expansive orchestrations and passionate rhythms and in more soothing moments, evoke an emotional response in a beautifully serene way.
Free As A Bird (2004). Free As a Bird is the much-anticipated follow-up to Omar's 2002 release, Opal Fire. Exotic, sensual, and brimming with life, it was worth the wait! Richly arranged and orchestrated by David Dial and Gregg Karukas, real instruments replace some of the keyboards from the earlier release, and the interaction of great musicians…