With the popularization of bossa nova in the early '60s, practically every recording artist had to have at least one bossa nova album. This effort by the Dave Brubeck Quartet is better than most due to the high quality of the compositions, of which the title cut is best-known. The date's two standards ("This Can't Be Love" and "Trolley Song") also fare well on this upbeat session.
Third Stream, Gunther Schuller's well-intentioned but commercially doomed idea of forcing contemporary classical (i.e. serial) composition music to cohabit with hard bop, produced but a handful of fine recordings, most notably the classic 1960 Atlantic Jazz Abstractions and this 1964 sextet outing under the stewardship of trombonist Michael Zwerin. The choice of Kurt Weill's sleek and elegant compositions was astute: the bittersweet harmonies of Weill (who ultimately emigrated to the U.S. from Germany) lend themselves particularly well to jazz soloing, and accordingly, an outstanding rhythm section featuring the Modern Jazz Quartet's John Lewis (an enthusiastic advocate of Third Stream from its inception) and Connie Kay…
With their roots traced in two legendary '60s garage bands, The Outcasts and The Stoics, Homer were without doubt one of the best psychedelic/hard-rock outfits from Texas. Grown in U.S.A. was their only album, released as a private pressing in 1970. Rural psychedelic rock with early prog hints fuelled by stunning lead/dual guitar, melodic vocals and occasional mellotron. The 2002 CD reissue on Akarma adds two tracks from a non-LP 1970.
Life and travels in the USA expressed through Country Music. Guy Fletcher is an English multi-instrumentalist, best known for his position as the keyboard player in the rock band Dire Straits from 1984 until the group's dissolution. Following the disbanding of Dire Straits in 1995, Fletcher continued his association with band founder, Mark Knopfler as a core member of his band after launching his solo career.