Udcd 667

It's no wonder that mandolinist David Grisman came up with the name "Dawg Music" to describe his style of playing, which draws from bluegrass, jazz, and many other forms of music. This 1978 recording has long been a favorite of Grisman's fans, as all of the compositions and performances have stood the test of time. Grisman's lively "Dawg's Bull" and guitarist Tony Rice's upbeat "Devlin'" set a high standard at the opening of the album, yet the remaining tracks continue to meet the high watermark of the first two songs. In addition to Rice's presence throughout the recording, Grisman utilizes five different bassists (only one song, "Dawgology," features two of them together), violinist Darol Anger, mandolinist Mike Marshall, and on two selections, the jazz violin master Stéphane Grappelli.

Controversial at the time, delayed because of fights with the record company over lyrical content and the original title (Volunteers of America), Volunteers was a powerful release that neatly closed out and wrapped up the '60s. Here, the Jefferson Airplane presents itself in full revolutionary rhetoric, issuing a call to "tear down the walls" and "get it on together." "We Can Be Together" and "Volunteers" bookend the album, offering musical variations on the same chord progression and lyrical variations on the same theme.

10cc - The Original Soundtrack (1975) [MFSL UDCD 729]
Pop/Rock | XLD (CDParanoia III 10.2) w/ AccurateRip | FLAC: IMG+CUE, LOG | 247 MB | 3 files | 1 CD
Originally Released by Mercury Records in March 1975 | RAR 3% Recovery | RapidShare

10cc's third album, The Original Soundtrack, finally scored them a major hit in the United States, and rightly so; "I'm Not in Love" walked a fine line between self-pity and self-parody with its weepy tale of a boy who isn't in love (really!), and the marvelously lush production and breathy vocals allowed the tune to work beautifully either as a sly joke or at face value. The album's opener, "Une Nuit a Paris," was nearly as marvelous; a sly and often hilarious extended parody of both cinematic stereotypes of life and love in France and overblown European pop. And side one's closer, "Blackmail," was a witty tale of sex and extortion gone wrong, with a superb guitar solo embroidering the ride-out. That's all on side one; side two, however, is a bit spottier, with two undistinguished tunes, "Brand New Day" and Flying Junk," nearly dragging the proceedings to a halt before the band rallied the troops for a happy ending with the hilarious "The Film of Our Love." The Original Soundtrack's best moments rank with the finest work 10cc ever released; however, at the same time it also displayed what was to become their Achilles' heel — the inability to make an entire album as strong and memorable as those moments. - Review by Mark Deming from allmusic.com

Personally I feel that this CD, which does not contain *all* of the famous tracks recorded by Mulligan and Webster together, is nevertheless quite adequate for anyone who wants a good, representative sample of what they achieved.

Who could have known that the much-loved Orbison would record his best album at this late stage in his career; furthermore, that he would be dead a few months later. The success of his role in the Traveling Wilburys gave him a much-deserved boost. Orbison had the great voice of pop and after many years of indifferent material he finally hit gold with great songs such as 'You Got It' (written with Lynne and Petty), 'Careless Heart' (written with Diane Warren) and 'A Love So Beautiful' (written with Lynne). Orbison's tragic dedication to us when he finished this album was 'don't give up before the miracle happens'. - 2014 Muze Inc.

The duo's best album, and the place to start beyond the hits compilations. Up to the release of A Song for You, the Carpenters' success had seemed an awesome if somewhat fluky phenomenon, built on prodigious talent, some beautifully crafted pop sensibilities, and a very fortunate choice of singles…