The Samurai of Prog will release their new double album, “Lost and Found”, on April 20th. Working with original members of Pavlov’s Dog, Lift, Cathedral, Odyssey, and Quill, the band has discovered lost prog epics from the 1970s. Because of dissolving record contracts, band line-up changes, and the shifting landscape of popular music, these amazing compositions were never properly recorded… until now! The Samurai have created stunning, brand-new versions, and the result is a prog-lover’s paradise.The recording is audiophile quality. The package is first-rate (thick cardstock mini-LP style, with a 32-page booklet and artwork by Ed Unitsky).
L’album precedente era un omaggio ai ribelli sconosciuti che hanno animato i moti rivoluzionari. Stavolta entriamo nell’ambito della ribellione personale, dei sentimenti, delle emozioni. Andiamo a esplorare l’altra faccia della rivoluzione”. Il live ripercorre varie fasi della carriera del gruppo, diventando una sorta di “best of”. “Ci sono nuovi brani scritti per l’occasione, miei e di Dan Kinzelman, alcuni classici del nostro repertorio e due pezzi sudafricani. И un disco d’amore per le persone, per la musica e per gli amici. Ribelli dal cuore d’oro.
Ferlin Husky shares billing on his volume of Bear Family's ongoing rockabilly and country-boogie series, Gonna Shake This Shack Tonight, with Simon Crum and Terry Preston – two aliases he adopted in the thick of and at the start of his career, respectively. Unlike Collectors' Choice Music's 2002 collection Country Music Is Here to Stay, the focus of this 2016 set is not on the novelties of Simon Crum. Instead, this rounds up 32 sides Husky recorded in any incarnation, with the uniting factor being its swing.
Touch of Class was an American soul and R&B musical group from Philadelphia featuring four members: the brothers Gerald Jackson and Pete Jackson, as well as Herbert Brevard and Michael Hailstock. The band was active from the mid-1970s until mid-1980s recording for Midland International Records and affiliated RCA label and had a hit with their debut "I'm in Heaven" reaching #65 on Billboard Hot 100. It was also the title of their debut studio album. By 1979, Michael Hailstock had left to concentrate on songwriting and the band turned into a trio. Their second album, the self-titled Touch of Class included their version of "Turn the Beat Around", a song written by Gerald and Pete Jackson and recorded by Vicki Sue Robinson in 1976 that gained big recognition and a big hit for her. the song is considered a dance/disco classic. It was also re-recorded by Laura Branigan in 1990 and by Gloria Estefan in 1994.
Lascelles Perkins was one of the first stars of the Jamaican music scene. Studio One's leading balladeer and one of the most underrated singers from that time. Lascelles Perkins sang sentimental ballads and he scored massive local hits for Coxsone Dodd's Studio One label. Songs like 'Lonely Moments' and 'Together Forever' other big hits followed 'The Mighty Organ' song as a duet with Hortense Ellis, Alton Ellis' sister, 'Destiny' and a whole catalogue of standards or foreign songs as they were called. Lascelles could sing any song, make it seem effortless and at the same time address it in his own unique style.
Soul Jazz Records are releasing Count Ossie and The Mystic Revelation's seminal 1975 album Tales of Mozambique in an expanded double album/single CD/digital format, fully remastered and with the inclusion of two bonus rare single-only tracks, full sleevenotes, exclusive photographs and interview. Count Ossie is the central character in the development of Rastafarian roots music, nowadays an almost mythical and iconic figure. His importance in bringing Rastafarian music to a populist audience is matched only by Bob Marley's promotion of the faith internationally in the 1970s.
Celebrated session guitarist, Willie Lindo, steps from behind the scenes and into the spotlight to deliver some top class original compositions and sublime cover versions. A legendary session guitarist as well as producer for such greats as Beres Hammond and Maxi Priest, Willie Lindo is much too bright a gemstone to be left uncovered.
Utopianisti is Finnish composer/multi-instrumentalist/producer Markus Pajakkala's brainchild, started in 2010. It's a studio project where the line-up changes for every song. Pajakkala plays the drums, woodwinds and some keyboards himself and composes and engineers all the material. Guest musicians are plenty, from different genres - classically trained, jazz, folk and rock musicians. The style is mostly instrumental, energetic jazz-rock / eclectic prog with occasional leaps towards Balkan gypsy music, tango, avant-garde, latin or even operatic metal. Pajakkala is also a key member in the band Poutatorvi.
There's a heady brew of talent going on here – Phillip Smart at the mixing deck, The Aggrovators providing the rhythms, and Bunny Lee mixing the whole thing down at King Tubby's – all for a massive serving of echo-heavy Jamaican dub from the 70s! The tracks here are awash in cool instrumental touches – lots of organ lines from Jackie Mittoo and Winston Wright, bubbling basslines from Robbie Shakespeare and Aston Barrett, and sweet riffing guitar from Chinna Smith and Alva Lewis – but the special focus here is on the way that Smart can capture all these sounds individually, with a crispness that points the way towards the digital dub generation, and which gives a really deep sense of texture to the final dubs. CD features four more bonus tracks too!