This meeting of the minds and bands of Afro-funk creator Fela Anikulapo-Kuti and American vibist and R&B/jazz innovator Roy Ayers is a collaboration that shouldn't work on the surface. Fela's music was raw, in your face politically and socially, and musically driven by the same spirit as James Brown's JBs. At the time of this recording in 1979, Ayers had moved out of jazz entirely and become an R&B superstar firmly entrenched in the disco world. Ayers' social concerns – on record – were primarily cosmological in nature. So how did these guys pull off one of the most badass jam gigs of all time, with one track led by each man and each taking a full side of a vinyl album? On hand were Fela's 14-piece orchestra and an outrageous chorus made up of seven of his wives and five male voices.
In its own way, this is a kind of grail; a live recording by the great Fela Kuti captured live mere months after his release from prison in 1986. After serving two years on a trumped-up charge of "currency trafficking," he was reluctantly released by the Nigerian government in April due to considerable pressure by Amnesty International. This show took place at Detroit's historic Fox Theater in November. The recording is the first release of "new" Fela material in nearly 20 years. The three CDs clock in at a bit under two-and-a-half hours – the show could have easily fit on two discs – and an audience recording by Bob Tegan.
This particular box set from Wrasse contains all 26 albums, which were previously released by the label in three separate compilation groupings. Each disc is housed in its own mini-LP sleeve, bearing original cover art, and the set contains four booklets - one for each grouping of albums and a brief biography in a booklet of its own. What's confusing, at least initially, is that the back of the box numbers the albums one through 26, while each booklet numbers them starting at one. In other words, discs ten and 19 both bear the number one and start again with their groupings.
RIP Ginger, one of the greatest drummers of all time… It's hard to go wrong with Fela Kuti's work from the 1970s, and LIVE!, which features the Afrobeat innovator backed by his powerhouse band Africa '70 and ex-Cream drummer Ginger Baker, is no exception. Like all of Fela's recordings from the era, LIVE! consists of just a few tracks, each of which approximates or exceeds the ten minute mark. Yet the arrangements are so dynamic on these tracks, the criss-crossing polyrhythms so absorbing, and Fela's incantatory vocals so entrancing that the long running times never seem a factor. Every cut crackles from beginning to end with its mixture of funk, jazz, and traditional Nigerian music, underscoring once again Fela's revolutionary, indelible contribution to world music.
Afrobeat’s rise to common musical currency has been mercurial during the last 5 years as dance music producers embrace more complex Afro rhythms and original West African pioneers like Fela Kuti and Tony Allen receive their dues. Featuring new hip hop from Ty alongside seminal house beats from Masters At Work and ultra-funky original music from Nigeria and Ghana courtesy of Fela Kuti, highlife God E.T. Mensah and more. 2 CD collection of 29 tracks then hits the groove straight away with Aslhley Beadle’s ‘Afrikans On Marz’ mix of Femi Kuti’s ‘Beng Beng Beng’, next up the classic Dennis Ferrer track ‘Funu’ which then leads us to a nicely different track with Tony Allen’sAfrobeat mix of Gigi’s ‘Gudfella’. So many more I could pick out too including DJ Food ‘Dub Lion’ and Orchestre Poly-Rhythmo De Cotonou Benin’s ‘Houe Towe Houn’. Suffice to say this does the job big time.