Viktoria Mullova and Ottavio Dantone turn in smashing performances of Bach's six sonatas for violin and harpsichord, plus two additional items: a transcription of Trio Sonata No. 5 (for organ/clavichord) and the Sonata in G for Violin and Continuo BWV 1021. Bach's violin sonatas use the "church sonata" form; that is, they usually have opening slow movements and no quick movements modeled on dance forms. They are also unique in that they are in fact true duets between the right hand of the keyboard player and the violin, rather than solo works in which the violin sings while the harpsichord accompanies with the continuo part.
The Orlando Consort’s third recording for Hyperion turns to the music of Loyset Compère, a composer the group first investigated some twenty years ago. In the intervening decades musicological goal-post shifting has elevated our composer from also-ran outsider to something of a trailblazer, the wonderfully complex Magnificat recorded here, for example, now being thought to predate the masterworks of Josquin by some fifteen years. A gorgeous selection of motets and chansons further charts this period of radical musical experimentation.
"Brilliantly capturing the essence of this true legend at this live gig recorded almost twenty years ago at the end of a 30 date european tour, they were fired up and ready for it."
The new French period instrument ensemble Les Traversées Baroques has a name that evokes voyages and discoveries. Led here by conductor Etienne Meyer, the group presents a selection of the music of Marcin Mielczewski, a 17th-century Polish composer whose scores have lain neglected in the archives of central Europe. His music, at once sensuous and sparkling (and often reminiscent of Monteverdi) rewards exploration. Although Mielczewski was one of the prominent musical figures of Poland in the first half of the 17th century, we know very little about him. His contemporaries considered him a first-rate composer and his output was both broad and extensive, but only two of his works were printed. A curious fact is that one of his works contains the first instance of a mazurka in art music.
Brilliantly capturing the essence of this true legend at this live gig recorded almost twenty years ago at the end of a 30 date european tour, they were fired up and ready for it.
Flautist Sharon Bezaly with the Singapore Symphony Orchestra and Lan Shui here play the music of three composers who are all resident in the USA, but have their roots across the Pacific Ocean, in China. Philosophical, musical and literary aspects of this Chinese heritage are in evidence in the works recorded here.
This new release features the first-ever commercial recording of three newly discovered viola concertos by German-born Swedish composer Joseph Martin Kraus. Joseph Martin Kraus was one of the most innovative composers of his time. With Mozart, he was described by Haydn as one of only two geniuses he knew. Recipient of the 2011 Leonard Bernstein Award and of the 2010 Avery Fisher Career Grant, David Aaron Carpenter has emerged as one of the world's most promising young artists. The Philadelphia Inquirer describes him as being “in a league with the best.”