Unexplained Sounds

Though it was released under the name Ataraxia, The Unexplained is one of innovative electronic composer Mort Garson's best-known albums, along with Lucifer's Black Mass and Mother Earth's Plantasia. And while ataraxia is a term for inner calm, this wild exploration of supernatural phenomena couldn't be further from that state of mind. During the late '60s and early '70s, the occult was a major pop culture trend, and one that Garson dove into deeply with Black Mass and his astrology-themed series…

Not the walls that should collapse is that passive place and "of craftsmanship" that the market has given to the Latin American. Today, for a Latin American artist to be recognized in the global art markets, he must be able to say "from here I speak". Recovering myths, traditions, ancestral cultures and popular are some of the twists that artists seek to be legitimized. "And I wonder: why? Already when you start working with record labels, you realize that it is the same market that imposes these criteria of legitimacy. It's interesting. Why do not other people need it to create their own language? We need instrumentalists able to think and live up to their time. They will be accused of heretics, yes, but I invite you to heresy.

Though it was released under the name Ataraxia, The Unexplained is one of innovative electronic composer Mort Garson's best-known albums, along with Lucifer's Black Mass and Mother Earth's Plantasia. And while ataraxia is a term for inner calm, this wild exploration of supernatural phenomena couldn't be further from that state of mind. During the late '60s and early '70s, the occult was a major pop culture trend, and one that Garson dove into deeply with Black Mass and his astrology-themed series. As on those releases, the unearthly sounds of his Moog are perfect for expressing the magical and mysterious. On the opening track "Tarot" alone, he combines weightless atmospheres, metallic percussion that feels like a precursor to Suicide's taut mechanical rhythms, and organ-like tones that belong in a church - or a horror movie. "I Ching" is even more lurid, with a monstrously fuzzy bass drum, brittle cymbal-like crashes, and gurgling textures…

Though it was released under the name Ataraxia, The Unexplained is one of innovative electronic composer Mort Garson's best-known albums, along with Lucifer's Black Mass and Mother Earth's Plantasia. And while ataraxia is a term for inner calm, this wild exploration of supernatural phenomena couldn't be further from that state of mind. During the late '60s and early '70s, the occult was a major pop culture trend, and one that Garson dove into deeply with Black Mass and his astrology-themed series. As on those releases, the unearthly sounds of his Moog are perfect for expressing the magical and mysterious. On the opening track "Tarot" alone, he combines weightless atmospheres, metallic percussion that feels like a precursor to Suicide's taut mechanical rhythms, and organ-like tones that belong in a church - or a horror movie. "I Ching" is even more lurid, with a monstrously fuzzy bass drum, brittle cymbal-like crashes, and gurgling textures…

Portraits is a new series from Unexplained Sounds Group focusing on electronic and electro-acoustic music composers. Each release creates a 'portrait' of three musicians by showcasing representative pieces of their recent musical journeys, serving as a guide for further listening and a means of exploring their work. This first volume is dedicated to three Italian musicians: Gabriele Gasparotti, Daniele Ciullini, and Mario Lino Stancati. Gasparotti and Stancati are among the most talented emerging musicians on the Italian experimental scene, while Ciullini is a veteran of the post-industrial underground who, after a very long silence, returned to music in 2012.

Unexplained Sounds Group exploring the Balkan post industrial scene. Artists coming from Greece, Romania, Turkey, Serbia, Bulgaria, Albania, Slovenia, Macedonia, introduce us to their vision of post industrial music and culture. The perspective of a region where musicians are growing with their own sonic and artistic identity. - Raffaele Pezzella

The electronic music emanating from the Scandinavian region encompasses a vast universe and has a long tradition behind it. In 1964 the electronic music studio EMS in Stockholm opened as a conventional analogue studio, its primary intention being to build the world’s most advanced hybrid studio and to conduct an international research program into sound and sound perception. Since then the Scandinavian electronic music scene has continued to flourish decade upon decade, culminating in the most recent ambient and minimalistic sound shapes. Unexplained Sounds Group, started researching Scandinavian electronic and experimental music in 2015 when it published the Scandinavian experimental underground 015 survey.