Upon The Sleepwalk

VA - Moving Away From The Pulsebeat: Post-Punk Britain 1977-1981 (2024)

VA - Moving Away From The Pulsebeat: Post-Punk Britain 1977-1981 (2024)
EAC Rip | FLAC (tracks, log, full scans) - 2.6 GB | MP3 CBR 320 kbps - 1.08 GB
6:25:50 | Punk Rock, Post-Punk | Label: Cherry Red

105 tracks charting the british post-punk explosion 1978-1981. A compendium of familiar names, underground oddities and freshly excavated historical nuggets. Buzzcocks! Echo and the bunnymen! The fall! Killing joke! Public image limited! Siouxsie and the banshees! Teardrop explodes! Scritti politti! The cure and many more. Compiled by the team that brought you ‘to the outside of everything’, the ‘c86…’ series, ‘electrical language’, ‘shake the foundations’ and many more in-depth box sets. Featuring band-by-band biographies and detailed sleevenotes by mark paytress. “life’s about as boring as a dole queue” – mark perry.
VA - Moving Away From The Pulsebeat: Post-Punk Britain 1977-1981 (2024)

VA - Moving Away From The Pulsebeat: Post-Punk Britain 1977-1981 (2024)
EAC Rip | FLAC (tracks, log, full scans) - 2.6 GB | MP3 CBR 320 kbps - 1.08 GB
6:25:50 | Punk Rock, Post-Punk | Label: Cherry Red

105 tracks charting the british post-punk explosion 1978-1981. A compendium of familiar names, underground oddities and freshly excavated historical nuggets. Buzzcocks! Echo and the bunnymen! The fall! Killing joke! Public image limited! Siouxsie and the banshees! Teardrop explodes! Scritti politti! The cure and many more. Compiled by the team that brought you ‘to the outside of everything’, the ‘c86…’ series, ‘electrical language’, ‘shake the foundations’ and many more in-depth box sets. Featuring band-by-band biographies and detailed sleevenotes by mark paytress. “life’s about as boring as a dole queue” – mark perry.
VA - Moving Away From The Pulsebeat: Post-Punk Britain 1977-1981 (2024)

VA - Moving Away From The Pulsebeat: Post-Punk Britain 1977-1981 (2024)
EAC Rip | FLAC (tracks, log, full scans) - 2.6 GB | MP3 CBR 320 kbps - 1.08 GB
6:25:50 | Punk Rock, Post-Punk | Label: Cherry Red

105 tracks charting the british post-punk explosion 1978-1981. A compendium of familiar names, underground oddities and freshly excavated historical nuggets. Buzzcocks! Echo and the bunnymen! The fall! Killing joke! Public image limited! Siouxsie and the banshees! Teardrop explodes! Scritti politti! The cure and many more. Compiled by the team that brought you ‘to the outside of everything’, the ‘c86…’ series, ‘electrical language’, ‘shake the foundations’ and many more in-depth box sets. Featuring band-by-band biographies and detailed sleevenotes by mark paytress. “life’s about as boring as a dole queue” – mark perry.
Midge Ure & Ultravox - The Very Best Of Midge Ure & Ultravox (2001)

Midge Ure & Ultravox - The Very Best Of Midge Ure & Ultravox (2001)
EAC Rip | FLAC (image+.cue+log) - 563 MB | MP3 CBR 320 kbps (LAME 3.93) - 186 MB | Covers - 60 MB
Genre: Synth-pop, New Wave | RAR 3% Rec. | Label: EMI (7243 5 35811 2 1)

Rejecting the abrasive guitars of their punk-era contemporaries in favor of lushly romantic synthesizers, Ultravox emerged as one of the primary influences on the British electro-pop movement of the early '80s. Formed in London in 1974, the group - originally dubbed Ultravox! - was led by vocalist and keyboardist John Foxx (born Dennis Leigh), whose interest in synths and cutting-edge technology began during his school years. With an initial lineup consisting of bassist Chris Cross, keyboardist/violinist Billy Currie, guitarist Steve Shears, and drummer Warren Cann, their obvious affection for the glam rock sound of David Bowie and Roxy Music brought them little respect from audiences caught up in the growing fervor of punk, but in 1977 Island Records signed the quintet anyway, with Brian Eno agreeing to produce the band's self-titled debut LP…

Ultravox - The Best Of Ultravox (2003)  Music

Posted by v3122 at Jan. 22, 2021
Ultravox - The Best Of Ultravox (2003)

Ultravox - The Best Of Ultravox (2003)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
EMI Gold, 7243 5 95368 2 8 | ~ 401 or 149 Mb | Scans(jpg) -> 21 Mb
New Wave, Pop Rock, Synth-pop

The Best of Ultravox is a fairly comprehensive compilation that disregards the era during which guitarist Robin Simon and vocalist John Foxx were in the group. It's actually comprehensive to a fault, since it's a little too fair to the group's later and lesser singles off 1986's U-Vox – an album that was almost as poor as its title…

Ultravox - Premium Gold Collection (1996)  Music

Posted by Designol at March 29, 2024
Ultravox - Premium Gold Collection (1996)

Ultravox - Premium Gold Collection (1996)
EAC | FLAC | Image (Cue&Log) ~ 469 Mb | Mp3 (CBR320) ~ 174 Mb | Scans ~ 76 Mb
Label: EMI Electrola | # 7243 8 37695 2 0 | Time: 01:15:57
New Wave, Synthpop, Dance-Rock, Post-Punk

Ultravox are a British new wave band, formed in London in 1974 as Tiger Lily. Between 1980–86, they scored seven Top Ten albums and seventeen Top 40 singles in the UK, the most successful of which was their 1981 hit "Vienna". The band has been led by two different frontmen who never played together in the band at the same time. From 1974 until 1979, singer John Foxx was frontman and the main driving force behind Ultravox. Foxx left the band to embark on a solo career and, following his departure, with the three remaining members in hiatus, Midge Ure took over as lead singer, guitarist and frontman in 1980 after he and keyboardist Billy Currie worked in the studio project Visage.

Ultravox - Greatest Hits (2009) Re-up  Music

Posted by v3122 at March 19, 2021
Ultravox - Greatest Hits (2009) Re-up

Ultravox - Greatest Hits (2009)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
EMI / Pirate Label | ~ 529 or 188 Mb | Scans(jpg) -> 14 Mb
New Wave, Pop Rock, Synth-pop

Rejecting the abrasive guitars of their punk-era contemporaries in favor of lushly romantic synthesizers, Ultravox emerged as one of the primary influences on the British electro-pop movement of the early '80s. Formed in London in 1974, the group – originally dubbed Ultravox! – was led by vocalist and keyboardist John Foxx (born Dennis Leigh), whose interest in synths and cutting-edge technology began during his school years…

California Guitar Trio - Albums Collection 1994-2010 (6CD)  Music

Posted by Designol at Sept. 13, 2023
California Guitar Trio - Albums Collection 1994-2010 (6CD)

California Guitar Trio - Albums Collection 1994-2010 [6CD]
EAC | FLAC/APE | Image (Cue&Log) ~ 1.53 Gb | Mp3 (CBR320) ~ 770 Mb | Scans included
Instrumental Rock, New Acoustic, Prog-Rock, Modern Blues, Neo-Classical, World | 04:29:55

With a whirlwind of instrumental styles fusing classical, rock, blues, jazz, world music, progressive, as well as the quintessential California musical genre surf music, the California Guitar Trio's stunning virtuosity and sly sense of humor have earned them an enthusiastic following and wide notoriety, with significant crossover in the progressive, acoustic and classical music scenes.
University of Kansas Wind Ensemble; Paul W. Popiel - Philip Glass: Concerto Fantasy; Mohammed Fairouz: Symphony No.4 (2013)

Philip Glass: Concerto Fantasy for 2 Timpanists and Orchestra
Mohammed Fairouz: Symphony No.4 'In the Shadow of No Towers'
Ji Hye Jung & Gwendolyn Burgett (timpani), Jānis Porietis (trumpet)
University of Kansas Wind Ensemble; Paul W. Popiel, conductor

EAC | FLAC | Image (Cue&Log) ~ 299 Mb | Mp3 (CBR320) ~ 152 Mb | Scans included
Genre: Classical, Contemporary | Label: Naxos | # 8.573205 | Time: 00:57:45

Philip Glass’ Concerto Fantasy for Two Timpanists and Orchestra, composed in 2000 and transcribed for wind ensemble by Mark Lortz in 2004, is a significant addition to the repertoire of large-scale works for timpani. The work is rhythmically galvanizing, sonically alluring, and features virtuoso cadenzas for both soloists. Symphony No 4 ‘In the Shadow of No Towers’ is Mohammed Fairouz’s first major work for wind ensemble, and its inspiration is the provocative comic book by Art Spiegelman, written shortly after the terrorist attacks on September 11, 2001. Spiegelman himself has commented: “I’m moved by [this] scary, somber, and seriously silly symphony…I’m honored that the composer found an echo in my work that allowed him to strike a responsive chord and express his own complex responses to post 9/11 America. He emerges from the rubble with a very tony piece of high-brow cartoon music.”