"The Fall of Math" is a solid debut album from this UK band. 65daysofstatic is another side of Post-Rock. The machine syncopated drums, owing more to drum'n'bass and industrial than to Math-Rock, and the electronic textures, a brood Radiohead and Nine Inch Nails symbiosis, created both a impetuous background atmosphere where the band's dynamic Post-Rock inter-crusade of guitars, bass and piano moved along. The result is creative and intriguing, flowing with memorable instrumental passages and some solemn atmospheres, whilst the band preferring to move their music from contrast to contrast, between very balanced nuances, than using the genre's more traditional haunting crescendos. Plus, the music achieves to recreate emotionally their foreseen vision of a ideological catastrophe, elicited in the album's first track, being elegantly majestic or disturbing at incisive moments.
King Crimson is a decidedly unwieldy band. Spanning more than 35 years (as of this writing) and at least seven distinct lineups, and complicated by the studio vs. live dichotomy (not to mention no hits to speak of), this is a band that almost refuses to be anthologized. Anything less than a box set doesn't really do the band justice, but anything more than two discs may seem like a grand investment to someone who just wants to get acquainted with them. Since King Crimson completely ceased to exist in the mid- to late '70s and early '80s, that seems a logical dividing point in examining the band's output. And that's exactly how Robert Fripp approached it when he assembled the 21st Century Guide to King Crimson in two volumes.
Caterina Barbieri is set to release a sister album of her 2019's acclaimed “Ectatic Computation”. “Myuthafoo“ will be out on June 2.