Uwe Hollburg

The most difficult thing about an operetta is finding an effective title, Gustave Adolphe Kerker once claimed. Although this was not meant seriously, it is not so far-fetched - after all, anyone who has to struggle to invent melodies has no business in the light genre. born in Herford in Westphalia in 1854, taken to the USA by his parents at the age of ten and rising to become one of Broadway's most famous personalities, Kerker was indeed a paragon of ideas that only needed to be combined with a turbulent plot. Take: The Belle of New York (1897), which got off to a very slow start there, conquered London's West End with almost 700 performances, became a model of "musical comedy" and has remained so to this day. The Theater für Niedersachsen, which became Broadway with "The Belle of New York", always receives rapturous applause.

Die medizinische Disziplin der Psychosomatik untersucht das Wechselspiel zwischen seelischen, körperlichen und sozialen Vorgängen: Wie wirken sich psychische Konflikte auf den Körper aus? In seinem Seminar stellt Prof. Dr. med. Uwe Gieler die modernen Theorien und Aspekte der Psychosomatischen Medizin dar…

Lacy Pool is a small group of musicians whom Uwe Oberg picks to unlock Steve Lacy's compositions. Why no bass? Uwe Oberg: 'That never was a question. I wanted the band to function unlike a jazz quartet and it should not have a soprano sax. Now Lacy's pieces were mine and ours, and it got easier and easier, everything fell into place. The clarity, the repeating motifs, the collage approach, the deconstruction, the flow. What fun!' Uwe Oberg - piano, Rudi Mahall - clarinets, Michael Griener - drums.