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Roland Stephen "Steve" Taylor (born December 9, 1957) is an American singer, songwriter, record producer, music executive, film maker, assistant professor, and actor. A figure in what has come to be known as Christian alternative rock, Taylor enjoyed a successful solo career during the 1980s, and also served in the short-lived group Chagall Guevara…

Long-awaited CD reissue of La Toya Jackson’s 1981 sophomore album including six additional long-unavailable bonus tracks. Essential collector’s item for all Jackson fans and completists.

Donovan's last truly great album of the 1960s, 1968's BARABAJAGAL shows interesting artistic growth at least as marked as his transformation from folk troubadour to daffy hippie-pop guru. The title track and "Trudi" feature the Rod Stewart-era Jeff Beck Group as Donovan's backing band; consequently both these songs have a surprising amount of sonic heft to them…

Singer & actress Dee Dee Bridgewater recorded four albums for the Warner Brothers group of labels between 1976 and 1980, one for Atlantic and three for Elektra; for the very first time Robinsongs have combined these Albums on a 2 CD collection.

The hugely well-respected and historically important Kinks seventh studio album Arthur Or The Decline And Fall Of The British Empire was released on 10th October 1969, and celebrates its 50th anniversary on 2019. 'Rock musical' in style and one of the most effective concept albums in rock history, the album was constructed by Kinks' frontman Ray Davies as the soundtrack to a subsequently cancelled Granada Television play. The album receiving almost unanimous acclaim upon its release. Rolling Stone 1969 - "Arthur is a masterpiece on every level, Ray Davies' finest hour. The Kinks' supreme achievement and the best British album of 1969".

Kevin Matthew Gilbert (November 20, 1966 – May 18, 1996, also known as Matthew Delgado and Kai Gilbert) was an American singer, songwriter, musician, composer, producer and collaborator. Gilbert was best known for his solo progressive rock projects, Toy Matinee and his contributions to Tuesday Night Music Club, the debut album by Sheryl Crow.

Add 3121 to the mounting pile of evidence: Prince is the black Beck. He's a whole lot sexier, no doubt, but there's more to both musicians than image. All-out weirdness for one. Edginess for another. And a fine-tuned sense of how to combine the two to create some of the decade's most vital music for a third. Prince–looking ageless in videos for the first two singles, the controversy-courting "Black Sweat" and the sauna-steeped "Te Amo Corazon"–proves fearless as ever here, folding fat slabs of disco-funk into rock, heaping measured doses of hip-hop atop soul-tinted jazz supports, and slamming Latin rhythms against old-school R&B riffs. Nothing sounds as slinky-stylish-smart. And nobody delivers quite so deliciously, especially when what they're delivering is ultimately a madcap sonic mash. The usual hype surrounding a Prince release attended this one; over the long-term, expect a few standouts within a way worth-it set to emerge. They include the danceable "Love"; the gospel-lite falsetto feast "Satisfied"; and the summer-breezy "Beautiful, Loved & Blessed".