Birds & Monks features five tenors: Johnny Griffin, Harold Land, Joe Farrell, John Klemmer, and Joe Henderson - and altoist Art Pepper - playing one song apiece (five tunes by Charlie Parker along with Thelonious Monk's "'Round Midnight"). Pianist Stanley Cowell provides accompaniment (but sits out on the Henderson cut); either Cecil McBee or John Heard are on bass, and Roy Haynes plays the skins. Each of the saxophonists plays quite well, with John Klemmer's version of "'Round Midnight" being the only ballad. This release is easily recommended for bop fanatics.
A massive collection with faszinating mystic sounds from Africa, Asia and Orient. "Buddha Deluxe Lounge" with his 50 trax slides you in a faszinating mystic mood. Exotic instruments, mystic vocals phrases, a mystical journey into another world. Enjoy "Buddha Deluxe Lounge Vol.12" …50 mystic bar sounds!
Includes continuous mix by DJ Maretimo.
Michael Crétu's attempt at fusing everything from easy listening sex music and hip-hop rhythms to centuries-old Gregorian chants couldn't have been more designed to tweak the nose of high art, a joyously crass stab straight at a mainstream, do not pass go, do not collect 200 dollars. The result is something that shouldn't exist, but in its own way results in as much of a cultural scramble and explosion as anything Public Enemy were doing around the same time, crossing over the Euro-disco and new age spheres with style…
Michael Crétu's attempt at fusing everything from easy listening sex music and hip-hop rhythms to centuries-old Gregorian chants couldn't have been more designed to tweak the nose of high art, a joyously crass stab straight at a mainstream, do not pass go, do not collect 200 dollars. The result is something that shouldn't exist, but in its own way results in as much of a cultural scramble and explosion as anything Public Enemy were doing around the same time, crossing over the Euro-disco and new age spheres with style. Credit Crétu for an open ear for whatever works, which is precisely why "Sadeness," the first part of a longer track called "Principles of Lust," turned into a fluke worldwide hit.
Michael Crétu's attempt at fusing everything from easy listening sex music and hip-hop rhythms to centuries-old Gregorian chants couldn't have been more designed to tweak the nose of high art, a joyously crass stab straight at a mainstream, do not pass go, do not collect 200 dollars. The result is something that shouldn't exist, but in its own way results in as much of a cultural scramble and explosion as anything Public Enemy were doing around the same time, crossing over the Euro-disco and new age spheres with style…
This fascinating release comprises live recordings made at the end of 1956, when Miles accepted an offer to tour Europe with a formation called the Birdland All Stars, which also included Lester Young and the Modern Jazz Quartet, along with European musicians such as pianist René Urtréger, bassist Pierre Michelot and drummer Christian Garros. We have here the one and only existing evidence of Miles playing with Lester Young and with the MJQ. It also presents a rare occasion to find Miles playing as the sole horn in a quartet format.