VA Famous Piano Songs

Yoko Ono's catalog isn't easy to navigate or even define at times. Even when John Lennon was on board as a collaborator – band member, producer or cheerleader – her music could be willfully difficult and stubbornly uncommercial. She's a singular artist, maybe more so than her late husband and his famous band, which makes any tribute to her vast recorded work an uphill charge not exactly suited for the easily intimidated. The 14 brave souls who tackle Ono's music on Ocean Child: Songs of Yoko Ono can't truly replicate her distinctive path, and much of the source material hinges on her artist's right to explore those paths via routes of her choosing. In other words, they're not songs in the traditional sense. There have been some interpretable tracks over the years: "Who Has Seen the Wind?," "Listen, the Snow Is Falling" and "Walking on Thin Ice" are close enough to pop music.

This 1991 tribute album reveals the broad range of Cohen's talent as composer in its dazzling variety of voices and styles. Following the prayer Who By Fire by House of Love, Ian McCulloch soars through Hey That's No Way To Say Goodbye, adding his own melancholy twist to the song's sublime sadness; The Pixies storm through I Can't Forget at their characteristic fast pace, whilst That Petrol Emotion poignantly render Stories Of The Street and James perform a meandering but moving So Long Marianne. Stephen Duffy of The Lilac Time gently caresses Bird On A Wire, followed by the Ugandan singer Geoffrey Oryema whose Suzanne, embellished by flute and a trio of guitars, fades out on a click-filled chorus. Quite brutal is David McComb's exploration of the sleazy Don't Go Home With Your Hard-on which shakes, rattles and rolls along with the best of the psychotic beats, while Dead Famous People, produced by Serge Gainsbourg, make a surprising success of a bubblegum singalong rendition of True Love Leaves No Traces. The star of the show is John Cale as he paints a truly great soundscape with only voice and piano in Hallelujah, a classic which would have remained buried in Cohen's own rather monotone version.

Dubbed the "Prince of Pops" by the Chicago Tribune nearly 30 years ago, Erich Kunzel – one of the most successful classical crossover artists of all time – has recorded over 70 albums for Telarc; one of the most popular of those is 1990s Christmas with the Pops. The warm and wonderful Christmastime Is Here, named for the Vince Guaraldi classic from A Charlie Brown Christmas that's given a spirited reworking here, is something of a sequel to that collection. With the exception of a punchy Dixieland arrangement of "Jingle Bell Rock," Kunzel and the orchestra – working with the Indiana University School of Music Singing Hoosiers, under the direction of Dr. Michael Schwartzkopf – play most of the classics here very straightforwardly. That is to say, charming, elegant and engaging, just not overly innovative. Telarc's true stroke of genius is having some of its top jazz vocalists perform on lush but smartly restrained arrangements of various classics – like Tierney Sutton on "I'll Be Home for Christmas" and John Pizzarelli on "Silver Bells." The disc also showcases two of the label's newest artists, Ann Hampton Callaway (a haunting "I Wonder as I Wander") and Tony DeSare (doing Mel Tormé proud on a dreamy version of "The Christmas Song"). This is 2006's premier holiday disc for lovers of jazz, pop and classical music.

A luxurious and authoritative 64CD orchestral and concerto set, celebrating one of the world’s great orchestras and their 64-year relationship with Decca Classics. Few labels can claim to be so associated with a city as inextricably as Decca is with Vienna. No history of classical recordings would be complete without a chapter documenting how both Decca and the WP worked to perfect the art of recording in the city’s great concert halls, most notably in the famous Sofiensaal.

The names may not be familiar, but the songs on this compilation certainly are! Because these are the original versions of songs later made famous the world over. Rock & roll legends like the Beatles and Beach Boys, the Clash and Elvis Presley, would have first heard these songs as treasured 45rpm singles or LP tracks, played over and over on juke boxes and family gramophones. In some cases, the remake was a note for note cover; at other times, the original artist would struggle to recognize their own song! So when it comes to settling arguments about who did the original version, in future you can settle them by referring to the 40 tracks collected here.

Bossa Nova translated as the "new beat" or "the new style", grew out of Rio De Janeiro in 1958. The instigators were a handful of artists with a desire to break from tradition, developing the samba rhythms with the influence of cool American jazz to find a music with such a warm soul and natural rhythm that no-one can help but tap and sway to its beat. Bossa Nova is palm trees swaying, it is like melting sugar in hot coffee, it is the setting sun and warm sand underfoot. It is the sound and beat of Brazil, it is one of the world's coolest musical styles and it remains to this day one of the world's great musical treasures.