The soundtrack to director Ron Howard's 1995 blockbuster Apollo 13 effectively blends dialogue, actual audio clips from newscasts, classic songs, and portions of conductor James Horner's original score, creating a worthy aural companion. Included are songs from the period of the titular spacecraft's peril-fraught mission, such as the Young Rascals' "Groovin'," Jefferson Airplane's "Somebody to Love," the Who's "I Can See for Miles," and a classy version of the oft-covered "Blue Moon" by the Mavericks (produced by Nick Lowe). The orchestrated score manages to capture the drama of the events in a manner that ranges from quietly stirring to sweepingly epic, with Eurythmic Annie Lennox adding her distinctive, ethereal vocal accompaniment to several of the cuts.
Award-winning producer and artist, Danger Mouse, has curated the soundtrack for Edgar Wright's highly anticipated film, Baby Driver. The soundtrack for the music-heavy film, titled Music From The Motion Picture Baby Driver, boasts 30 multi-genre tunes in total, including 29 rare tracks and deep cuts, as well as one original song created by Danger Mouse specifically for Baby Driver. The new song is "Chase Me", by Danger Mouse featuring Run The Jewels and Big Boi.
The soundtrack to the Hughes Brothers' tribute to early-'70s blaxploitation gets the sound of the era right, featuring hits by the O'Jays, the Spinners, Isaac Hayes, Al Green, and Harold Melvin & the Blue Notes, among others. The inclusion of Danny Elfman's instrumental theme interrupts the flow of the album, but for the most part, Dead Presidents is a first-rate collection of prime soul.
The soundtrack to Woody Allen's 2011 Oscar-nominated romantic comedy Midnight in Paris features a variety of jazz tunes and popular songs that are all generally associated with the film's 1920s Paris setting. While Allen actually transports his movie's main character back to the '20s, most of the music here was recorded by contemporary artists who play in an old-school style. To these ends, we get such roiling and urbane Gypsy jazz tracks as Swing 41's "Je Suis Seul Ce Soir," Original Paris Swing's "Recado," and even several Cole Porter vocal numbers by Conal Fowkes – who appears as Porter in the film. Also featured are jaunty classic jazz cuts like Josephine Baker's conga dance number "La Conga Blicoti" and, of course, Sydney Bechet's "Si Tu Vois Ma Mère," which opens the film. Swooning and romantic in tone with a breezy, swinging jazz vibe throughout, the Midnight in Paris soundtrack is a must-have souvenir for traditional jazz lovers and any fan of the film.