Jimi Hendrix's show at the 1967 Monterey Pop Festival was the performance that broke him in the United States. While half of this was previously available as one side of an LP that also featured a side of live Otis Redding from the same event, Jimi Plays Monterey has his whole performanc…
Out of several live Hendrix albums, The Jimi Hendrix Concerts stands as one of the very best. Taken from shows at Winterland, The Royal Albert Hall, and from various venues in New York, Berkeley, and San Diego, the set includes hits like "Fire," "Voodoo Chile," and "Hey Joe," as well as fine blues like "Red House," "Bleeding Heart," and "Hear My Train a Comin'."…
Out of several live Hendrix albums, The Jimi Hendrix Concerts stands as one of the very best. Taken from shows at Winterland, The Royal Albert Hall, and from various venues in New York, Berkeley, and San Diego, the set includes hits like "Fire," "Voodoo Chile," and "Hey Joe," as well as fine blues like "Red House," "Bleeding Heart," and "Hear My Train a Comin'." Highlights include a definitive version of "Little Wing" and one of the most assured and driving versions of "Voodoo Chile" (these and four other stellar tracks come from what must have been an amazing concert at Winterland in the fall of '68). Another standout is "I Don't Live Today," which features a fine mix of jazz-inspired soloing and various feedback and distortion "tricks" (tricks that figure into Hendrix's way of "playing with the electronics," and which make up one of the more innovative aspects of his guitar playing). Hendrix gets adept and sympathetic support throughout from bassist Noel Redding and drummer Mitch Mitchell (Band of Gypsies' bassist Billy Cox replaces Redding on "Red House" and "Hey Joe").