Stile Antico's 2015 release on Harmonia Mundi, A Wondrous Mystery, is a sublime collection of Renaissance choral music for Christmas, presented in a pleasant mix of familiar German carols and a mass, with tracks interspersed for the sake of variety. This makes sense in consideration of the group's broad audience, which may know such popular hymns as Michael Praetorius' Ein Kind geborn in Bethlehem and Es ist ein Ros entsprungen, or Johannes Eccard's Übers Gebirg Maria geht and Vom Himmel hoch, yet be somewhat at a loss with the motet and Missa Pastores quidnam vidistis by Jacobus Clemens non Papa, a composer beloved by early music specialists but not exactly a household name for lay listeners. However, the a cappella performances are consistently beautiful and soothing throughout, and the quietly joyous mood of the music fits the album's title perfectly. The 12-voice choir's blend is well-balanced and transparent, and the ambience of All Hallow's Church, Gospel Oak, London gives an ideal resonance for the group's small size and close miking.
MOZART 111 combines the best of the Austrian master's music with the best of Deutsche Grammophon's Mozart recordings, bringing together a total of 111 works, while retaining, as far as possible, the original album releases with their cover art. There's enough of everything here to stock a shop, as they say, in performances that have stood the test of time and performances that make you sit up and listen to Mozart afresh the perfect way to discover, rediscover and savor the incomparable genius of Wolfgang Amadeus Mozart.
Deutsche Grammophon, home to the greatest pianists, presents a collection of the most essential piano masterworks – a collection of the most beautiful, exciting and moving pieces for piano; presenting the world’s best composers, popular works, and outstanding performances from Deutsche Grammophon’s unrivalled roster of pianists: from the greats – Horowitz, Gilels, Richter, Argerich – to the younger generation: Seong-Jin Cho, Alice Sara Ott, Vikingur Ólafsson, Hélène Grimaud, Yuja Wang. Also represented are the new faces of composition – Max Richter and Ludovico Einaudi.