VA The Fillmore East Last 3 Nites

As the '60s came to a close, Jimi Hendrix pushed the boundaries of funk, rock and R&B with a brand new group, Band of Gypsys. Together with bassist Billy Cox and drummer Buddy Miles, Hendrix unveiled stunning, newly written material across four shows at the legendary Fillmore East in New York City. Machine Gun: The Fillmore East First Show 12/31/69 marks the first time Band of Gypsys' first show has ever been released in its entirety, newly mixed by Eddie Kramer from the original 1" eight-track masters.

On April 20 Universal Music are releasing a 3-LP / 2-CD set of The Who’s stunning 1968 live performance at Bill Graham’s Fillmore East theatre in New York.

The Who - Live at The Fillmore East 1968 (2018) {Polydor 6744485} (Complete Artwork)
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 587 Mb | MP3 @320 -> 221 Mb
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© 1968, 2018 Polydor / Universal | 6744485
Rock / Classic Rock / Hard Rock

Heavily bootlegged, the tapes featured on Universal's 2018 release Live at the Fillmore East 1968 were originally recorded by the Who's manager Kit Lambert with the intention of releasing a live album between The Who Sell Out and Tommy. Both nights of the band's tour-closing stint at the Fillmore on April 5 and 6, 1968 were recorded but the equipment malfunctioned on the first night, so Lambert abandoned the plan, leaving the tapes to bootleggers to mine over the years.

Miles Davis - At Fillmore. Live At The Fillmore East (1970) [2CD]
EAC rip (secure mode) | FLAC+CUE+LOG -> 313 Mb + 322 Mb | MP3 @320 -> 115 Mb + 113 Mb
Artwork @ 300 dpi (png) -> 67 Mb
© 1997 Sony Music / Columbia / Legacy | C2K 65139
Jazz / Fusion / Jazz-Funk

AT FILLMORE is the second release to document Miles' live presentation of BITCHES BREW's breakthroughs. Broken up into four parts, it shows the unprecedented growth of the same band that recorded BLACK BEAUTY just three months earlier. The addition … Full Descriptionof Keith Jarrett's organ expands the music even further over the borders that defined "jazz," creating a singular hybrid of rock, blues and jazz.

Once again, chaos dwells within the belly of this musical beast. From the electro-static of "The Mask" through the end of "It's About That Time," Davis, Jarrett, Chick Corea and Steve Grossman remain inextricably intertwined. And at the center there's always Miles and his trumpet–spurring his charges towards unexplored territory, ever ready to fall off the edge of the cliff just to land back on his feet.

Miles Davis - Live At The Fillmore East (March 7, 1970) - It's About That Time {2CD 2014 Japan Jazz Collection 1000 Columbia-RCA Series SICP 4184~85}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 585 Mb | MP3 @320 -> 213 Mb
Full Artwork @ 600 dpi (png) -> 215 Mb | 5% repair rar
© 1970, 2014 Columbia / Sony Music Japan | SICP 4184~85
Jazz / Fusion / Jazz Rock / Jazz Funk / Trumpet

Special priced-down reissue available only for a limited period of time until December 21, 2015. Comes with liner notes. Finally, a non-bootleg issue of one of Miles Davis' greatest electric performances ever. In fact this is the very first of the Miles Davis Quintet's electric gigs – it was also one of the last four performances of this great band. Not just recorded, but performed. The band, consisting of Davis, Wayne Shorter on soprano and tenor, Chick Corea on Fender Rhodes, Dave Holland on both acoustic and electric bass, and Jack DeJohnette on drums. With percussionist Airto Moreira providing color and texture, the band became a sextet.

Miles Davis - At Fillmore. Live At The Fillmore East (1970) [2CD] {2006 DSD Japan Mini LP Edition, SICP-1223/24}
EAC rip (secure mode) | FLAC+CUE+LOG -> 639 Mb | MP3 @320 -> 231 Mb | Artwork (web)
© 2006 Sony Music Japan / Columbia | SICP 1223/24
Jazz / Fusion / Jazz Rock / Jazz Funk

AT FILLMORE is the second release to document Miles' live presentation of BITCHES BREW's breakthroughs. Broken up into four parts, it shows the unprecedented growth of the same band that recorded BLACK BEAUTY just three months earlier. The addition of Keith Jarrett's organ expands the music even further over the borders that defined "jazz," creating a singular hybrid of rock, blues and jazz.