Vnicholas Mathieu

Cellist Camille Thomas’ program of beautiful cello arrangements invites us to find hope amid uncertainty, to see light in the darkness. From Purcell’s grief-stricken “When I Am Laid in Earth” to Bruch’s yearning “Kol Nidrei” and Dvořák’s nostalgic “Songs My Mother Taught Me,” Thomas finds beauty deep within pain. But in Donizetti, she celebrates the power of love, in Wagner gentleness, and in Mozart steadfastness. Fazil Say’s 2017 Concerto for Cello and Orchestra, “Never Give Up”, a musical response to the terrorist attacks in Paris and Istanbul, is searing and often upsetting, cello flowing like tears, orchestra twisted, demented. Birds bring peace, at last, to a modern masterpiece that confronts anguish and distress with strength and optimism.

Véronique Mathieu and Stephanie Chua present INVOCATION, a collection of works for violin and piano written by female-identifying composers of unique heritages, backgrounds, and cultures. With a wide range of aesthetics and a variety of compositional eras, INVOCATION presents a collection of wonderfully animated performances that provide a fantastic model for the exploration of these composers’ works.

The ensemble Aedes began it's musical journey with Poulenc, under the impetus of conductor Mathieu Romano. Here, at the head of Les Siècles, Romano returns to the unclassifiable composer to record two of his major works. In the pious contemplation of the Litanies, here performed in the manuscript version, and the orchestral luxuriance of the Stabat Mater, spirituality is expressed through music that is lively, sensitive and even, at times, sensuous. Sculpting out every phrase and note, always at the service of the text, the ensemble and Mathieu Romano confirm their affinity with the composer's language. As an interlude Mathieu Romano has included a secular piece, O doulx regard, o parler gratieux, by the Renaissance composer Clément Janequin. The boundaries between earthly love and mystical love are thus abolished in favor of pure emotion.

Schubert: Architect by pianist Mathieu Gaudet is the eighth volume from his remarkable collection The Complete Sonatas and Major Works for Piano of the great Austrian composer Franz Schubert. Schubert revered Beethoven and regarded his piano sonatas, string quartets, and symphonies as models of coherently elaborated architecture, harmonious works with affirmed individuality. This album features the great Sonata in C minor, D. 958 that reminds us of Beethoven. There is the ardent, tragic tone, deployed by the Bonn master in his great masterpieces. The whole work exudes fervour and heroism. Its slow movement is at once exquisitely tender and dramatic, and its first and fourth, especially, display peerless compositional virtuosity.