The esteemed baritone saxophonist and distinguished member of the World Saxophone Quartet previously known as Hamiet Bluiett has apparently dropped his first name, which is indicated on the title and credits of this 2000 solo release. Yet whatever the circumstances, Bluiett's quartet serves up a tasty brew consisting of soulful ballads, calypso rhythms, and hardcore swing on this affable effort featuring guitarist Ed Cherry, bassist Jaribu Shahid, and drummer Nasheet Waits. Essentially, Bluiett balances a steely edged attack with fluid swinging lines and an altogether impressive faculty for enhancing the proceedings with his seemingly impossible ability to hit those high notes, which is uncommon or perhaps unattainable for most baritone saxophonists.
Ballantyne is a bright new Canadian piano star. He gets a good sound from the instrument and plays just as much or as little as he needs to get his point across. Nowhere is this better illustrated than on Question, an exploration that discovers all of the melodyХs most telling points. On Alternative Vision and Polka Dots he takes a more aggressive stance as befits an amiable piano and drum duel. It is the former that shows off his chops but it is the latter that demonstrates his natural way with a tune.
Man of the Woods is the upcoming fifth studio album by American singer-songwriter Justin Timberlake. It is set to be released on February 2, 2018. The production of the album was handled by Timberlake, The Neptunes, Timbaland, Danja, J-Roc, Eric Hudson, and Rob Knox. The album's first single "Filthy" was released on January 5, 2018, followed by "Supplies" and "Say Something". Timberlake will embark on the Man of the Woods Tour in March 2018.
“There are times,” says pianist Frank Woeste, “when I think how useful it would be to have a third hand.” That thought seems to encapsulate an important trait in Woeste's playing, namely his natural urge to arrange and to orchestrate at the piano, something which is evident right from the start of his album “Pocket Rhapsody.” Woeste is not just an exceptionally fine pianist and a gifted exponent of the Fender Rhodes, he also has a thorough understanding of his own creative process. If all art is about leaving an impression, then Woeste's mission is to etch a deep mark both as a player and as a composer. His debut as an artist on ACT, then, not only reveals a musician brimming with ideas, but also a fully-fledged composer and an extremely adept arranger. His trio with guitarist Ben Monder and drummer Justin Brown creates a sound which is orchestral in its scale and its impact. The intimacy of chamber music goes hand in hand here with the forward propulsion of a jazz trio, and with the power of a big band. In other words, the title “Pocket Rhapsody” gets it right.