Van Morrison Astral Weeks (1968){2015

Purple Pyramid's Essential Van Morrison is comprised of the (much compiled) recordings Morrison made for Bang! after his split from Them. Teaming with Brill Building vet producer Bert Berns, Morrison's wild-eyed lyricism is often a tight fit with Berns' straight-ahead commercial sound (see the silly but fun "Chick-a-Boom" for an example)….

This very well-assembled, handsomely packaged bootleg gathers interesting odds and ends, mostly unreleased, from Morrison's early career. His very early career, actually; ten of the 18 songs were done by his pre-solo career group Them in 1964-1966, while the remaining eight are publishing demos from the summer of 1968. Leading off the set are two unreleased June 1964 versions of songs Them later released, "Stormy Monday" and "Don't Start Crying Now." The "Stormy Monday" take is definitely rawer than the released one, with the kind of eerie knife-scraped descending guitar swoops that prove that Jimmy Page probably didn't play all of the guitar parts on Them's early records. "Don't Start Crying Now" isn't as good as the official version (put out as Them's first single), particularly since one verse or so seems to have been hacked out of the early part of the tape. Then there are four good 1965 BBC live-in-the-studio performances, including…

The Essential Van Morrison is a two-disc compilation album by Northern Irish singer-songwriter Van Morrison, released on August 28, 2015. It is part of Sony BMG's Essential series of compilation albums and includes tracks from Morrison's solo output, as well as tracks from his days with Them. The tracks consist of some of Morrison's biggest hits and popular album tracks from 1964 as leader of the Northern Irish band Them through his 2009 release Astral Weeks Live at the Hollywood Bowl. The liner notes were contributed by David Fricke.

The Essential Van Morrison is a two-disc compilation album by Northern Irish singer-songwriter Van Morrison, released on August 28, 2015. It is part of Sony BMG's Essential series of compilation albums and includes tracks from Morrison's solo output, as well as tracks from his days with Them. The tracks consist of some of Morrison's biggest hits and popular album tracks from 1964 as leader of the Northern Irish band Them through his 2009 release Astral Weeks Live at the Hollywood Bowl. The liner notes were contributed by David Fricke.

Released in 1970, Van Morrison's Moondance was a hit commercially and critically. Encouraged by his manager, Morrison and a sextet – including three players from the Moondance sessions – hit the studio and delivered His Band & the Street Choir in time for that year's holiday season. Morrison responded to the pressure by relaxing into it. The feel here is loose, often celebratory. He digs deep into his long-held fascination with the New Orleans R&B tradition for inspiration. "Domino" is his highest charting single.

The final album of Van Morrison's remarkably prolific and innovative 1968-1974 period (followed by three years of silence), Veedon Fleece brings the singer full circle, returning him to the introspection and poignancy of Astral Weeks…

The final album of Van Morrison's remarkably prolific and innovative 1968-1974 period (followed by three years of silence), Veedon Fleece brings the singer full circle, returning him to the introspection and poignancy of Astral Weeks. Composed following his sudden divorce from wife Janet Planet and subsequent retreat from the U.S., the songs are subtle and Spartan, the performances deeply felt; though less tortured and cathartic than Astral Weeks, it's a record fraught with emotional upheaval, as evidenced by such superior moments as "Linden Arden Stole the Highlights," "Who Was That Masked Man," and "You Don't Pull No Punches, But You Don't Push the River." That said, this is one of those - and there are several - forgotten classics in the Morrison catalog…

The final album of Van Morrison's remarkably prolific and innovative 1968-1974 period (followed by three years of silence), Veedon Fleece brings the singer full circle, returning him to the introspection and poignancy of Astral Weeks. Composed following his sudden divorce from wife Janet Planet and subsequent retreat from the U.S., the songs are subtle and Spartan, the performances deeply felt; though less tortured and cathartic than Astral Weeks, it's a record fraught with emotional upheaval, as evidenced by such superior moments as "Linden Arden Stole the Highlights," "Who Was That Masked Man," and "You Don't Pull No Punches, But You Don't Push the River." That said, this is one of those - and there are several - forgotten classics in the Morrison catalog…