Vanquish Magazine From Issue 7 From US Edition

Collection includes: Simple Things (2001, US Bonus tracks Edition), When It Falls (2004, US), The Garden (2006 US and Japanese Edition) and Yeah Ghost (2009, US).

Windows 10 is a series of personal computer operating systems produced by Microsoft as part of its Windows NT family of operating systems. Devices in enterprise environments can receive these updates at a slower pace, or use long-term support milestones that only receive critical updates, such as security patches, over their ten-year lifespan of extended support. This release contains two ISO images and 74 executable svf files. All exe files are created from original ISOs for each language. This is done with SmartVersion, a program that calculates the difference between two files (one of which is used as the source) and then creates an svf file based on that difference.

Windows 10 is a series of personal computer operating systems produced by Microsoft as part of its Windows NT family of operating systems. Devices in enterprise environments can receive these updates at a slower pace, or use long-term support milestones that only receive critical updates, such as security patches, over their ten-year lifespan of extended support. This release contains two ISO images and 74 executable svf files. All exe files are created from original ISOs for each language. This is done with SmartVersion, a program that calculates the difference between two files (one of which is used as the source) and then creates an svf file based on that difference.

Opus Dei, the band’s first album for Mute, was mixed by Rico Conning (Wire, Pere Ubu, Swans, William Orbit) and the band’s classic Laibachian interpretations of Opus’ ‘Live Is Life’ (here presented in English as ‘Opus Dei’ and in German as ‘Leben heisst Leben’) and Queen’s ‘One Vision’ (reworked as ‘Geburt Einer Nation’) soon saw them emerge from the shadows as they garnered support from the likes of MTV and ITV’s The Chart Show. This mainstream spotlight, coupled with memorable features in the music press, opened up opportunities for the Slovenian collective that included their first world tour. Performances from the tour from London’s Queen Elizabeth Hall, San Francisco, Berlin, Paris and “somewhere in Europe” make up the second CD of the expanded remastered edition.

Deluxe re-issue of Girls At Our Best!’s seminal Post Punk album ‘Pleasure’. Including additional A and B sides of their singles, two unissued 1981 live concerts. Plus legendary 1981 BBC sessions for John Peel and Richard Skinner and a 1981 interview. And a previously unreleased 1978 demo ‘Atribute’ by James Alan and Judy Evans’ band The Butterflies who metamorphosised into Girls At Our Best! plus ‘Boys At Our Best’, a demo from their final recording session.
Girls At Our Best! were one of the greatest and most influential bands to emerge in the early 1980s as part of a new wave of independent acts. DJ John Peel championed them, playing their singles repeatedly and inviting them to record a session for his programme.

Windows 10 is a series of personal computer operating systems produced by Microsoft as part of its Windows NT family of operating systems. Devices in enterprise environments can receive these updates at a slower pace, or use long-term support milestones that only receive critical updates, such as security patches, over their ten-year lifespan of extended support. This release contains two ISO images and 74 executable svf files. All exe files are created from original ISOs for each language. This is done with SmartVersion, a program that calculates the difference between two files (one of which is used as the source) and then creates an svf file based on that difference.

"Everything Is Everything" is the second album by Diana Ross, released in 1970. After the huge success of her self-named album and its accompanying two singles, Motown rushed the release of this album. It reached #42 in the USA (#5 R&B) and sold over 200,000 copies. The track "I'm Still Waiting" was a UK #1 single in 1971 for four weeks and her rendering of Aretha Franklin's "Call Me (I Love You)" was nominated for a Grammy in 1971 in the Best Female R&B Vocal Performance category.

Throughout the 1950s, the concept of the instrumental track was wrestled away from the cloying strings of MOR orchestras and into the hands of screwdriver-wielding guitarists, sleazy saxophonists, primal garage bands and dance craze creators. The teenage generation demanded music with everything and non-vocal versions of the hits sat next to specially created rabble-rousing gems that transcended genres and styles. This was music where words were just not enough.