Various Artists Georges Bizet Djamileh, Vasco de Gama, Cantates, Musique Chorale, Mélodies & Musique Pour Piano (po Flac

Bizet is more than Carmen. In his opera Les pêcheurs de perles you find melodies to die for and not only the vocal music is beautiful, but also the orchestral and ballet pieces too. The opera includes “Warhorse” romance in every tenor’s repertoire: “Je crois entendre encore”, the tenor-baritone duet “Au fond du temple saint”. The tenor “has the most beautiful romances, some of which are nothing less than exceptional, and able to ensure Bizet’s eternal fame.”

Bizet is more than Carmen. In his opera Les pêcheurs de perles you find melodies to die for and not only the vocal music is beautiful, but also the orchestral and ballet pieces too. The opera includes “Warhorse” romance in every tenor’s repertoire: “Je crois entendre encore”, the tenor-baritone duet “Au fond du temple saint”. The tenor “has the most beautiful romances, some of which are nothing less than exceptional, and able to ensure Bizet’s eternal fame.” (Corriere della sera)

Les Pêcheurs de Perles is best known for its glorious duet, but Georges Bizet’s opera has much more to offer. This live recording more than ever brings out the brilliance of this oriental story about love, duty and friendship. In the last 150 years, Bizet’s piece has mainly been heard in editions that stray from the composer’s original composition. This album – on the contrary - offers the first recording in history of the 1863 premiere version, reconstructed and published by Bärenreiter in 2015. Les Pêcheurs de perles contains a quintessentially French blend of lyricism, exoticism and drama, and the four soloists (Julie Fuchs as Leïla, Cyrille Dubois as Nadir, Florian Sempey as Zurga and Luc Bertin-Hugault as Nourabad) belong to today’s best performers for this specialist repertoire.

Horacio Vaggione - Musique Pour Piano et Électroacoustique (1995) {Mnémosyne Musique Média LDC 278 1102}
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© 1995 Mnémosyne Musique Média | LDC 278 1102
Classical / Electroacoustic / Contemporary Classical / Solo Piano

Horacio Vaggione has been integrating computers to his approach to composition since the 1970s. His body of work includes electroacoustic pieces, mixed pieces, and instrumental music. Born in 1943 in Argentina, Vaggione has been residing in France since 1978. He studied piano with Ornella Ballestreri and composition at Universidad Nacional de Córdoba (Argentina, 1959-62) and in Buenos Aires (Argentina) with Juan Carlos Paz. He holds a PhD in musicology from Université Paris 8 (France, 1983), where he worked under Daniel Charles.