The album is music from and inspired by the film and features tracks from the mightiest of 80s artists including Frankie Goes To Hollywood, Pet Shop Boys, New Order and Culture Club to name but a few. The film is life-affirming, funny and poignant and is expected to be a box office hit in 2014.
Featuring previously unreleased music from a wide range of contemporary stars, "THE SHACK: MUSIC FROM AND INSPIRED BY THE ORIGINAL MOTION PICTURE" includes a collaboration from multi-GRAMMY® Award-winning singer/songwriter Kelly Clarkson & GRAMMY®-nominated soul artist Aloe Blacc; as well as offerings from CMA and ACM-winning solo country artist Dierks Bentley; multi-platinum country artist Lady Antebellum; 2x GRAMMY® Award-winners for KING & COUNTRY; 6x chart-topping country artist Brett Eldredge; and GRAMMY®-nominated rock band NEEDTOBREATHE (Feat. Lauren Daigle), whose current album debuted at #1 on Billboard's "Top Albums" chart.
In addition, the album also includes new exclusive tracks such as "Heaven Knows" from RIAA platinum worship band Hillsong UNITED and "River of Jordan (Feat. Breyan Isaac)" from GRAMMY®-winning artist Lecrae.
An above-average soundtrack to a mediocre film, this dance-oriented album hits more than it misses. The title track by David Bowie is fluff by his standards, but as it's produced by Nile Rodgers (a year before their collaboration on Black Tie White Noise), it's danceable fluff. Further in, the album samples the beginnings of the '90s techno revolution, with excellent tracks from Future Sound of London ("Papua New Guinea"), Moby ("Next Is the E"), Ministry's Bush-era primal scream "N.W.O.," and Mindless's "Mindless." Brian Eno's exclusive track "Under" is one of his best from the '90s.
Kevin Costner, Robin Wright Penn, and Paul Newman star in this romantic tale about a sailor who dispatches love letters to sea in memory of his late wife. Just as the love letters are viewed as among the most touching ever written, the soundtrack is equally sentimental–16 tracks that evoke wistful days spent staring out of windows pining for lost love. Edwin McCain delivers Diane Warren's surprisingly modest "I Could Not Ask for More," a song written specifically for the movie. Sheryl Crow and Sarah McLachlan turn soft and spooky with their whispery "Carolina" and "I Love You," respectively. Sinéad Lohan and Beth Nielsen Chapman backlight their middle-of-the-road sensibilities with dance beats. Hootie & the Blowfish's "Only Lonely" is far closer to country music (Glen Campbell-style) than country artist Faith Hill's "Let Me Let Go." Gabriel Yared contributes the instrumental title track as well as two other pieces of overswelling movie music.
Call it a soundtrack producer's dream. One of the most vital and influential bands in modern-day music cuts a song entitled "If God Will Send His Angels" just months before you are hired to put together a soundtrack for a movie entitled City of Angels. The band is U2, and their song not only opens the City of Angels soundtrack, but it is also the anchor of a group of tracks that narrowly escapes the sappy trail that the movie blazed when it hit theaters. In all actuality, the soundtrack sounds much too dark, menacing, and legitimate to be attached to the film. Alanis Morissette assures the direction of the album when she follows U2's less-than-perky offering with "Uninvited," which is nothing if not vintage Alanis. From there on the quality drops off somewhat, but not until after Jimi Hendrix comes in with "Red House." It's still amazing to this day how the sounds of Hendrix on the guitar could be so many things all at the same time – soothing, moving, eerie, and untouchable.