Veronique Gens, Alexandre Bloch Chausson: Poeme de L'amour et de la Mer & Symphonie Op. 20 (2019

For her debut album on the yellow label Camille has chosen music full of youthful invention – uplifting and positive. She brings her own sensitive interpretation to the French Romantic works for cello and orchestra by Saint-Saëns and Offenbach, including the former’s First Cello Concerto, a masterpiece of its genre, and a delightful excerpt from the latter’s Harmonies des bois “Les Larmes de Jacqueline”. The album was recorded with the Orchestre National de Lille and Alexandre Bloch, and also includes guest appearances by tenor Rolando Villazón and violinist Nemanja Radulović.

Les Pêcheurs de Perles is best known for its glorious duet, but Georges Bizet’s opera has much more to offer. This live recording more than ever brings out the brilliance of this oriental story about love, duty and friendship. In the last 150 years, Bizet’s piece has mainly been heard in editions that stray from the composer’s original composition. This album – on the contrary - offers the first recording in history of the 1863 premiere version, reconstructed and published by Bärenreiter in 2015. Les Pêcheurs de perles contains a quintessentially French blend of lyricism, exoticism and drama, and the four soloists (Julie Fuchs as Leïla, Cyrille Dubois as Nadir, Florian Sempey as Zurga and Luc Bertin-Hugault as Nourabad) belong to today’s best performers for this specialist repertoire.

"La mer, bergère d'azur infinie…"
"Ce livre dit la mer, il dit l'aimer, l'avoir toujours aimée : il ne dit pas toute la mer, vaine ambition d'un fou. Même la grenouille y regarderait à deux fois. Ce livre dit le vieil homme et la mer, la femme et la mer, une lutte contre soi, contre ses rêves, une quête à la vie à la mort de l'horizon ni près ni loin, une osmose avec les éléments dont l'être humain fait partie - s'il n'est ici-bas le maître du jeu. …

On 20 June 1819, 200 years ago, the famous composer Jaques Offenbach was born in Cologne as "Jakob" Offenbach. The young cellist Raphaela Gromes, who already received excellent reviews and even celebrated chart successes with her first two albums for Sony Classical, has come up with a very special Offenbach album for the anniversary, having already presented Offenbach's "Hommage à Rossini" in a highly praised premiere recording on her last Rossini album. For, before Offenbach was acclaimed in musical theatre, he himself had a great career as a cellist and was even celebrated throughout Europe as the "Liszt of the cello"

Alexandre Tharaud pays tribute to composers associated with the courts of the French kings Louis XIV, XV and XVI. Lully, Rameau, Charpentier and François Couperin stand beside lesser-known masters: d’Anglebert, Forqueray, Royer, Duphly and Balbastre. “I’ve always been attracted by French music of this period,” says Tharaud, adding that when he plays the album’s initial Rameau prelude, “It’s like being alone at Versailles, opening the doors and entering those huge, imposing rooms.”

Dans une petite pension au bord de l'océan, à une époque imprécise mais qui pourrait bien être le XIXe siècle, se rencontrent plusieurs personnes : un savant qui cherche à déterminer la fin de la mer, un peintre, une jeune fille trop sensible, une femme d'âge mûr, un marin. Leurs destins vont converger autour d'un événement : le naufrage d'une frégate de la marine française.
Prix Viareggio 1993. …

Only few cellists are as inspiring as Raphaela Gromes: her cello playing is virtuosic and vibrant, full of passion and technically brilliant, versatile and charming at the same time. She fascinates her audience as soloist as well as duo-partner or member of a wind-quartet, her performance being fantastically challenging and extraordinarily light-footed.